Acclaimed ‘Ain’t No Mo’‘ Sets Closing; After ’KPOP’ It Becomes The Second Racially Expansive Production To Find No Lasting Welcome On Broadway
For the second time in a week, Broadway is losing a worthy production that attempted to find an audience that encompassed but reached beyond the usual white, middle-aged demographic: Jordan E. Cooper’s Ain’t No Mo’, the often visionary, relentlessly brilliant and forever fearless take by its Black creators and performers on the stubborn subject of race in America will close next week.