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‘Carmen’ Review: Paul Mescal and Melissa Barrera Exhilaratingly Reimagine a Classic

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thewrap.com

th-century opera “Carmen” has a classic femme fatale at its heart: a fiery, free-spirited and seductive woman headed for her inevitable demise through the downfall of a former lover.

So take it with a grain of salt upon hearing the title “Carmen,” in this case a beautiful, dreamlike and defiantly experimental film directed by Benjamin Millepied.

Yes, the tragedy, beauty, love, and passion that define Bizet’s exquisite late Romantic-era masterpiece are all in here in Millepied’s directorial debut.

But Millepied’s runaway Carmen, as imagined by writers Loïc Barrere, Alexander Dinelaris and Lisa Loomer, is not so much a doomed temptress archetype as a freedom-hungry firebrand in search of her voice and identity.In that regard, it would be unfair to claim that Millepied’s “Carmen” is an adaptation of Bizet’s timeless story.

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