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Tom Hanks
Thomas Jeffrey Hanks (born July 9, 1956) is an American actor and filmmaker. Hanks is known for his comedic and dramatic roles in such films as Splash (1984), Bachelor Party (1984), Big (1988), Turner & Hooch (1989), A League of Their Own (1992), Sleepless in Seattle (1993), Forrest Gump (1994), Apollo 13 (1995), You've Got Mail (1998), The Green Mile (1999), Cast Away (2000), Road to Perdition (2002), Cloud Atlas (2012), Captain Phillips (2013), Saving Mr. Banks (2013), Sully (2016) and A Beautiful Day in the Neighborhood (2019). He has also starred in the Robert Langdon films, and voices Sheriff Woody in the Toy Story film series. He is one of the most popular and recognizable film stars worldwide, and is widely regarded as an American cultural icon.
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‘Bucky F*cking Dent’ Review: David Duchovny Directs and Stars in a Winning Story of Fathers, Sons, Baseball and Death

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variety.com

Owen Gleiberman Chief Film Critic “Bucky F*cking Dent,” the second movie written and directed by David Duchovny (the first was “House of D,” in 2004), is based on a novel by Duchovny that was published in 2016, and whether or not the story is autobiographical, it feels autobiographical, and I mean that as a compliment.

Set in the summer of 1978, it’s framed around one man’s obsession with the Boston Red Sox — meaning, of course, the curse of the Bambino, going back to 1918, the last time (until 2004) the Sox won the championship.

The man is Ted Fulilove, which is a terrible last name for a movie character, though he’s played by Duchovny as a cussed crab apple with an amusing misanthropic put-down for every occasion (like: “Closure’s for morons”). “Bucky F*cking Dent” has a handful of characters, but it’s essentially a father-son two-hander — one of those dramadies in which the dad is a heartless-on-the-surface coot who was no good when it came to how he treated his family, and the son is a lot nicer and more sensitive, but maybe too sensitive (as a correction to all that paternal dickishness).

Which also means that he’s lost. Back in 1986, Tom Hanks and Jackie Gleason had a field day with this sort of thing in “Nothing in Common,” a movie that was instrumental in establishing Hanks’ serious dramatic chops.

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