Richard Dreyfuss: Celebs Rumors

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‘Paradise Lost’ Director Joe Berlinger to Helm Present-Day Reimagining of Cold War Thriller ‘Fail-Safe’ (EXCLUSIVE)

Nick Vivarelli International Correspondent Joe Berlinger, the groundbreaking U.S. director known for HBO’s Emmy-winning true crime docuseries “Paradise Lost,” is set to direct a feature film that will reimagine the cold war thriller “Fail-Safe.” The 1962 novel by Eugene Burdick and Harvey Wheeler, which was originally adapted for the big screen by Sidney Lumet, depicts a harrowing scenario in which a “fail-safe” mechanical failure jams the United States military’s chain of command and sends the country hurtling toward nuclear war with the Soviet Union.
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Will Jennings, lyricist for Celine Dion, Eric Clapton, Diana Ross and more, dies aged 80
Oscar-winning lyricist for songs such as ‘My Heart Will Go On’, ‘Tears in Heaven’ and ‘Up Where We Belong’, has died at the age of 80.The news was confirmed by his caregiver Martha Sherrod, who told The Hollywood Reporter that he passed away on Friday (September 6) at him home in Tyler, Texas. He had been in declining health for five years.Jennings won three Grammys, two Golden Globes and two Oscars, the latter coming for Celine Dion’s signature song for Titanic in 1997, and ‘Up Where We Belong’, recorded by Joe Cocker and Jennifer Warnes for An Officer and a Gentleman in 1982.Wilbur Hershel Jennings was born on June 27, 1944 in Kilgore, Texas, and after a period teaching at Austin State University, he made his first inroads into the entertainment industry in the mid-1970s.Some of his earlier success came writing alongside composer Richard Kerr, including multiple hits for Barry Manilow, including ‘Looks Like We Made It’ and ‘Somewhere In The Night’.He found his niche writing lyrics for songs for films, earning his first Oscar nomination for ‘People Alone’, from the Richard Dreyfuss drama The Competition in 1980, which he wrote alongside Lalo Schifrin.‘Up Where We Belong’ earned him his first Academy Award, alongside Jack Nitzsche and Buffy Sainte-Marie, and from there Jennings became in high demand as a lyricist, writing for artists including Roy Orbison, Mariah Carey, Whitney Houstin, B.B.
variety.com
TCM Film Festival Wraps With Focus on WB at 100 and Screen Sirens of the ’60s
Chris Willman Senior Music Writer and Chief Music Critic If the 14th annual TCM Classic Film Festival had an official focus, it was on the 100th anniversary of Warner Bros., from the opening night premiere selection of a restoration of “Rio Bravo” to a celebration of the 50th anniversary of “The Exorcist.” Almost equal in emphasis, though, by virtue of the guests brought in, was a celebration of the ingenues-turned-leading-ladies of the 1960s, who now represent the elder guard of a Hollywood golden age — Angie Dickinson, Ann-Margret and Shirley Jones. Dickinson had the highest profile of any star at the festival, being the belle of the ball at the Thursday screening of “Rio Bravo” in the big house at the TCL Chinese Theatres, where most of the screenings were held. But there was just as much outpouring of affection for Ann-Margret, who turned up for a Q&A (and birthday cake) following “Bye Bye Birdie” on Saturday, and Jones, who was joined by her son Shaun Cassidy and a slew of grandchildren after a showing of 1962’s “The Music Man” as the festival neared its end Sunday.
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