Korean director Hong Sang-soo is such a Berlinale favorite that his film in competition, featuring Isabelle Huppert as an apparently penniless tourist trying to scrape together a living in Seoul, is his sixth film to be invited to the festival since 2020 — remarkably, that’s not even his entire output over that time.
He hits this pace by keeping things simple, shooting each film in just a couple of weeks with very few crew and small casts, most of whom have been his collaborators for years, and covering many of the key technical jobs himself.
He writes about a milieu he knows: Seoul’s community of writers, actors and filmmakers, all with well-stocked bookcases and even more lavishly stocked drinks cabinets.
His stories, which generally consist of the back-and-forth of conversations, occur to him on the wing and turn on chance meetings, which are also pivotal in his working life.
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