John Hopewell Chief International Correspondent QuarXX’s “This Thing Inside of Me,” Caye Casas’ “Malamuerte” and maybe the biggest buzz title in the whole selection, Sean Wainsteim’s “Idaho Winter,” a multi-media mashup, feature in a robust, variegated lineup at Sitges FanPitch, which is quickly establishing itself as a key early fall global genre project platform drawing on titles from not only Spain but Europe, Latin and North America and Asia.
Unspooling Oct. 6-7, the FanPitch ranks as one industry centrepiece at the Sitges, International Fantastic Film Festival of Catalonia, a hallowed genre fest Mecca and one of the most important in Europe.
Projects range widely from multiple psychological thrillers, often driving deep into protagonists’ deep trauma, to black horror-comedy, stylish scarefests, near-future allegories, the allegedly true-event paranormal, and vampire actioners.
One title, “Idaho Winter,” is billed as “YA meta-fiction.” Another, fantastical series “The Lost Gods of Memphis,” surely the biggest budgeted of all projects at this year’s FanPitch, is set between 1222 B.C.
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