Nada El Shazly’s voice is something to behold. Last weekend at 24-HOUR DRONE, I watched her perform a powerful set over a minimal backing track: Alone on stage, the Egyptian vocalist and composer-producer seemed overcome with emotion, pounding her chest and falling to the ground as she sang heart-wrenching laments in Arabic.
On Pollution Opera, the self-titled debut album from her duo with fellow singer-sound artist Elvin Brandhi, shows a different, though not entirely unrelated, side of her skill set.
The new album, released in April on Danse Noire, is a haunted journey through menacing drones, jarring percussion, and jumpscare samples.
Read more on thefader.com
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