Edgar Wright’s Last Night In Soho is an arthouse film that opened on 3,000 screens — a gamble in a theatrical market where multiplex-goers have been mostly turning out for big-budget, high-octane studio franchises. (Dune, Halloween Kills and No Time To Die took top spots this weekend, a soft one overall where Halloween parties may have dinged October’s stellar recovery.)Except for Downton Abbey, Focus has almost never launched a film on that many screens, period.
Pre-Covid, it would surely have have rolled out the 1960s-themed psychological thriller over weeks in a “platform” release starting with arthouses.In fact, the film — about an aspiring fashion designer mysteriously able to enter the 1960s where she meets a dazzling wannabe singer
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