film SOLIDARITY Dreams Commentary

How ‘Last Night in Soho’ Bungles Its Own Message About Violence Against Women (Commentary)

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thewrap.com

Spoiler warning: This story contains spoilers for the entirety of “Last Night in Soho.”Edgar Wright’s “Last Night in Soho” opens to a disorienting effect, not unlike awakening from a deep sleep and momentarily forgetting what day it is or where you are.As Peter and Gordon’s “A World Without Love” blasts from a record player, we’re introduced to what is either a teenager’s bedroom in the 1960s or a shrine to the decade.

Vintage movie posters plaster the walls, LPs are scattered everywhere and a girl dances around in a bouffant dress made of newspaper.The girl in question is Eloise (Thomasin McKenzie), an aspiring fashion designer who fantasizes about living in 1960s London.

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