If you’ve ever seen a Bob Dylan or ’60s folk doc or Martin Scorsese’s “No Direction Home,” you’ll know that Joan Baez has a complicated relationship with fame and Dylan.
In many ways, she seemed disappointed that Dylan left the socio-political movement they started in the 1960s with their folk protest songs, and on another level, she may still seem peeved that Dylan soaked up the spotlight, leaving her and many others from that scene off in the dust (the way their romantic relationship ended, poorly, probably didn’t help).
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