Murtada Elfadl A sense of foreboding permeates “Intercepted” from its first few frames, cueing audiences that they are about to witness something sinister.
Documentarian Oksana Karpovych shows peaceful images of children playing outside and birds chirping in the distance. Also heard on the soundtrack are ominous recordings, not exactly music but faint siren-like sounds that announce the film’s subject.
This unique film uses eerie images of destruction juxtaposed with voices on phones to document life in war for Ukrainians and the Russian soldiers who invaded their country.
The principal source in Karpovych’s film are the phone calls of Russian soldiers intercepted by Ukrainian security forces between March and November 2022.
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