chronicles one beleaguered woman’s journey to healing and self-discovery after being betrayed by her philandering husband. The film features all the classical elements of Perry productions.
It’s set in a predominantly Black area of the South, there are theatrical church scenes and plenty of the over-the-top histrionics extracted straight from his plays.
But more importantly, there was Madea. Played by Perry himself, the matriarch emerged as a rambunctious, pistol-packing matriarch who’s as comfortable espousing quirky wisdom as she is ferocious clapbacks.
Upon its release, the flick got mixed reviews from critics — but it grossed $50.7 million at the box office, just about 10-times more than its budget.
Read more on thewrap.com
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