Inspired by Robert Bresson’s 1966 classic “Au Hasard Balthazar,” Jerzy Skolimowski’s “EO” also follows the life and times of a humble donkey.
However, this latest offering by the 84-year-old Polish filmmaker is in no sense a direct remake of one of cinema’s enduring masterworks.
So titled for the hee-hawing sounds a donkey makes, “EO” (now in theaters) is an experimental donkey picaresque, dispensing with the ascetic filmmaking aesthetic for which Bresson was best known and instead capturing the world as vividly experienced — seen, felt, imagined, perhaps mourned — through all the senses of one noble ass.
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