“The Kingdom: Exodus,” lurching unnaturally back to life nearly twenty years since Lars von Trier first plumbed the depths of madness contained within Copenhagen’s Rigethospitalet, has returned, and it is swarming with ghosts.
The five new episodes serve as a continuation of the auteur’s ‘90s-era surreal gallows comedy while looking inward, making conversation with its own past as well as the sinister penumbra of history itself.
Aside from the malevolent spirits converging on the hospital due to its location atop the former site of hellacious “bleaching ponds,” characters from the original run reappear in altered forms as if through a perverse form of reincarnation.
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