“I made a new life for myself from flowers,” marvels the green-thumbed Narvel Roth. “How unexpected is that?” To be fair, it’s about the only plausible thing that happens in Paul Schrader’s Venice Film Festival out of competition entry Master Gardener, an incredibly silly but fitfully entertaining noir-tinged drama that follows so neatly on from First Reformed and The Card Counter that it’s almost as if Schrader has patented his own sui generis subgenre, a mix of the sublime and the ridiculous that just about works if you’re prepared to walk the line with it.
Like the aforementioned titles, it’s another of Schrader’s “God’s lonely man” films, a concept exemplified in his screenplay for Taxi Driver.
Master Gardener, however, has more of the melancholic tone of 1992’s Light Sleeper, and one can easily imagine Willem Dafoe in the lead, playing the dark angel with a disturbing past.
That said, Joel Edgerton is pretty captivating as Roth, the repressed workaholic gardener of the title who works for the icily flirtatious Mrs Haverhill (Sigourney Weaver), owner of Gracewood Gardens.
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