When is a collection of dreamy, romantic, forlorn, and crestfallen moods just that and not actually much of a movie other than a series of sequences that sum up those big melancholy feelings with achingly dreamy music?
Oooh, ooh! “The Greatest Hits,” filmmaker Ned Benson’s latest feature-length effort, would like to field this one. Built one too many many groan-worthy romantic clichés like the relationship breakup phrase, “it’s time to move on,” taken to an implausibly silly genre and literal level, Benson uses a flimsy neurological time travel conceit to tentatively move forward and heal his hopelessly heartbroken protagonist’s heart.
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