Jessica Kiang It has been claimed that women who forget the worst of the pain of childbirth are programmed to do so by evolutionary necessity: The selective editing of the body’s memory of trauma helps ensure the species continues to propagate itself.
However true that is, a similar theory might account for why so many of us remember our school days in only the vaguest and fuzziest of terms: If we precisely recalled all those terrors, would we really force our own children to run the same gantlet?
Laura Wandel’s janglingly visceral “Playground” is here to shatter that willful forgetfulness by parachuting us with zinging immediacy into the fraught, ferocious battleground of a French primary school as though delivering us into the frontline.
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