Alex Ritman Nathalie Emmanuel knows all about not talking about the projects she’s in. Seven years on “Game of Thrones” as the fan-favorite Missandei gave the Brit an instant lesson on the dangers of spoiling a show where much of its popularity rested on an endless supply of (mostly bloody) shocks and surprises.
But Emmanuel’s now unable to talk about something very different, and for very different reasons. “Megalopolis” is without doubt among the most anticipated movies of the year.
The hugely ambitious magnum opus — and potential final feature — from master filmmaker Francis Ford Coppola is a project he’s been trying to get off the ground since the 1980s.
But it’s also a film shrouded in mystery and intrigue, self-financed to the tune of $120 million and with ongoing speculation over who might pick up the not inconsiderable tab to release it.
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