county Clayton: Celebs Rumors

Clayton Davis Senior Awards Editor Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual contender.

Clayton Davis Senior Awards Editor The Gotham Film & Media Institute announced key changes for this year’s 33rd Annual Gotham Awards. The organization has removed the budget cap requirements which they claim will create “a more inclusive submission pool” of potential nominees. In previous years, to be eligible for the Gothams, a film’s budget couldn’t exceed $25 million.

Clayton Davis Senior Awards Editor Latinos were optimistic about making a great stride in representation in the summer box office season with films like “Blue Beetle,” the first superhero movie directed and written by and starring Latinos. However, writers and actors aren’t able to promote their projects during the WGA and SAG-AFTRA strikes, as guild members advocate for new contracts.

Alisa Finkelstein is a vice president and Clayton Durant is director of emerging media & platforms at MikeWorldWide. As you’ve probably read many times in recent months, Artificial Intelligence is creating a Napster-like moment in the recorded music business.

Clayton Davis Senior Awards Editor Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual contender. As other formal (and informal) polls suggest, competitions are fluid and subject to change based on buzz and events.

Clayton Davis Senior Awards Editor In the vast tapestry of Oscar history, specific years define instants of talents converging to produce a constellation of extraordinary performances. 1993 was one such epoch when the best supporting actor lineup at the 66th Academy Awards ceremony showcased an assembly of unparalleled depth.

Clayton Davis Senior Awards Editor SPOILER ALERT: This story contains spoilers for “Succession,” “The Last of Us” and “Ted Lasso.” “Choose wisely, for while the true Grail will bring you life; the false Grail will take it from you.” This quote from “Indiana Jones and the Last Crusade” (1989) could also apply to selecting episode submissions for the Primetime Emmy Awards. Some choose well, others not so much. Per Emmy rules, after the nominations are officially announced, the selections for drama series and comedy series each choose six episodes that best exhibit the very best of their nominated seasons.

Clayton Davis Senior Awards Editor Legendary filmmakers Pedro Almodóvar and Spike Lee are the first honorees announced for this year’s TIFF Tribute Awards. Almodóvar, who won the Oscar for original screenplay for “Talk to Her” (2002), will receive the Jeff Skoll Award in Impact Media presented by Participant, which recognizes leadership in creating a union between social impact and cinema.

Clayton Davis Senior Awards Editor Over the last 100 years, Disney has produced many iconic and beloved films that have become cultural touchstones. However, several underrated gems within the Disney filmography haven’t received the same notoriety as their more well-known counterparts. These films often suffer from various factors, such as limited theatrical release, lack of marketing, or being overshadowed by other blockbuster hits and counter-programming.

Chris Pratt took his son, Jack, out to the ball game.

Clayton Davis Senior Awards Editor Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual contender.

Clayton Davis Senior Awards Editor Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual contender.

Clayton Davis Senior Awards Editor “Barbie” is a box office smash, along with its acclaim from critics and audiences alike. If you follow the social media chatter and the general feeling from most pundits, it could be a viable awards contender for Warner Bros. One category being debated is where the screenplay by Greta Gerwig and Noah Baumbach would be able to compete — whether in original or adapted screenplay. The answer lies in how the WGA classifies it and whether the Academy could or would overrule that choice. Variety confirms there are ongoing conversations with strategists and Warner Bros regarding where “Barbie” would compete at next year’s ceremony. On the title cards, it reads “Based on ‘Barbie’ by Mattel,” which is, of course, a toy company. At the same time, there have been multiple CGI films and TV series featuring the fashion doll since its debut in the late 1980s (42 to be precise). This would point to an “adapted” run. However, take the case of Pixar’s inaugural feature “Toy Story” (1995), which picked up an original screenplay nom (Joss Whedon, Andrew Stanton, Joel Cohen, Alec Sokolow, John Lasseter, Pete Docter, Joe Ranft). In that case, it offers a pathway for original. The CGI classic features characters such as Mr. Potato Head, a Hasbro product, and other toys such as Etch A Sketch, Magic 8 Ball and even parts of Barbie herself. Part of the Mutant Toys, which are creations of Andy’s sadistic kid neighbor Sid, he has one called “Legs” — which are a pair of Barbie doll legs attached to a green toy fishing rod.

Clayton Davis Senior Awards Editor From an Olympic figure skater to a historical queen, with a villainous vixen and a doomed Hollywood starlet, Margot Robbie is running the gamut of wide-ranging roles in movies. To celebrate the opening of Greta Gerwig’s “Barbie,” where Robbie plays the toy doll alongside co-star Ryan Gosling, Variety ranks her 10 best performances of her career so far.

Clayton Davis Senior Awards Editor The Toronto Film Festival is at a critical moment after three difficult years following the COVID-19 pandemic, but “the festival will take place,” says Cameron Bailey, CEO of TIFF. TIFF has typically been a star-studded affair and staple of awards season. However, what the red carpets at the gala premieres and tribute ceremonies that have gone to significant A-listers like Kate Winslet will ultimately look like, remains unknown. The longtime festival director doubled down on moving forward with this year’s festival, whether the big stars are in attendance or not. This comes amid ongoing WGA and SAG-AFTRA strikes that have halted the Hollywood industry, putting the remaining months of movies and TV shows into unknown territory.

Clayton Davis Senior Awards Editor There’s a moment in “Barbie” where Ryan Gosling, who plays the wickedly funny and insecure manchild, Ken, steps off the screen and yells, “Sublime!” It might be the most extraordinary Oscar-worthy clip of a person not to be seen on screen. “Barbie,” the new meta-comedy from Warner Bros, which also acts as an infomercial for Mattel, finally lands for audiences and could be one of the leading comedy films seeking Oscar recognition by year’s end if Academy members can take it seriously. Gosling’s iconic turn, at least, is worthy of best supporting actor recognition. Commercial comedies, particularly those without the added “dramedy” sub-qualifier, have faced difficulty landing Academy recognition for decades (i.e., Vince Vaughn in “Wedding Crashers”). However, a promising trend has been seen in the last few years with acting nominees like Robert Downey Jr in “Tropic Thunder” (2008), Melissa McCarthy in “Bridesmaids” (2011) and Maria Bakalova in “Borat Subsequent Moviefilm” (2020) landing comfortably in their respective fields. Gosling could join the ranks.

Clayton Davis Senior Awards Editor “Oppenheimer” has burst into the Oscar race. With the earnest and urgent cultural fabric of “To Kill a Mockingbird” and the philosophical measure of “The Tree of Life,” writer, director and producer Christopher Nolan’s chronicle of the creation of the most destructive weapon ever used stands as the most ambitious and vital piece of filmmaking of his career. Adapted from the book “American Prometheus” by Kai Bird and Martin J. Sherwin, “Oppenheimer” tells the complicated and morally fraught story of American scientist J. Robert Oppenheimer who led the effort to develop the atomic bomb. Nolan and his stellar ensemble of actors have amassed 27 Oscar nominations collectively throughout their careers. One of those who surprisingly hasn’t nabbed one is Irish actor Cillian Murphy, who plays the titular scientist. With dry wit and womanizing charm that effectively makes him the scientific version of Michael Fassbender in “Shame,” Murphy is an effective vehicle to lead the viewer through through reams of scientific terminology. In addition, his tour-de-force performance, which is sure to be in real consideration for best actor, is best displayed when showcasing the emotional toll such a creation can have on a person. Lead actors from competitive best picture players, especially from biopics, have been consistently recognized over the past few decades in Oscar history (see Benedict Cumberbatch for “The Imitation Game” or Christian Bale for “American Hustle”). Murphy could find his time has come after decades of memorable turns in “28 Days Later” (2002) and “Breakfast on Pluto” (2006).

Clayton Davis Senior Awards Editor Memorable songs have been synonymous with the Disney brand for decades, captivating audiences and earning immense respect from critics, and especially Oscar voters. Approaching its centennial, the House of Mickey has garnered 40 noms for original song and walked away with the statuette 16 times, the most for any movie studio in history. These winning moments have brought music icons like Elton John and Phil Collins to the stage, in addition to history-making representation for duos like Kristen Anderson-Lopez and Robert Lopez (twice).

Clayton Davis Senior Awards Editor Congressman Joaquin Castro and members of the Congressional Hispanic Caucus have launched a nationwide call for Latino films to nominate for the National Film Registry. The U.S.’s preeminent archive of films with cultural, historic or aesthetic significance is essential in preserving cinema. Every year, the Librarian of Congress adds 25 new movies to the registry after reviewing titles nominated by the public and conferring with National Film Preservation Board members and Library film curators. As of 2023, there are 24 Latino films on the National Film Registry, less than three percent of the 850 movies in the registry. “Since the earliest days of cinema, Latino actors, writers, directors, and creatives have made extraordinary contributions to American filmmaking,” said Congressman Castro. “As the Library of Congress works to preserve the films that shaped American culture, public nominations will put a spotlight on the Latino-driven films that have sold out theaters and defined generations. As we launch this year’s push for inclusion, I look forward to hearing from folks across America about the Latino films that have made an enduring impact on their lives.”

The only thing worse than a bad ruling at the U.S. Supreme Court is a bad ruling that sets up the prospect that the worst is yet to come.

Clayton Davis Senior Awards Editor The Academy of Motion Picture Arts and Sciences sent a letter to its members on Friday evening, addressing the recent departure of multiple Black executives from its organization over the past few weeks. Signed by Academy CEO Bill Kramer and president Janet Yang, the statement, obtained by Variety, includes an affirmation of the organization’s commitment to its diversity and inclusion programs, as well as efforts to “expanding” their promotion. “We have heard from some of you who have asked about our Academy DEAI programs as these efforts across our film community and other industries have been called into question,” the letter begins. “A number of Black executives in Hollywood have exited their roles, including within the Academy, and we recognize the concern this creates. Given all of this, we want to reiterate, in the strongest possible terms, the Academy’s commitment to not only continuing, but expanding our efforts to promote diversity and inclusion within our organization and the film industry at large.”

Clayton Davis Senior Awards Editor Shawn Finnie, executive vice president, member relations, global outreach and awards for the Academy of Motion Pictures Arts and Sciences, is leaving the organization after nearly a decade, Variety has learned exclusively. His final day was Thursday, July 13. Finnie was a beloved figure within the Academy, rising through the ranks and receiving multiple promotions. His departure comes after his most recent promotion to his role in June 2021 by former COO Christine Simmons. He led engagement and outreach initiatives for the organization’s global membership of more than 10,000 artists, filmmakers and executives. In addition, he led a team of more than 20 team members.

Michael Schneider Variety Editor at Large Variety’s Awards Circuit Podcast hosts Michael Schneider, Clayton Davis, Emily Longeretta and Jazz Tangcay gathered on Wednesday, just hours after the Television Academy announced this year’s Emmy nominations, to dissect the news — from the big winners like “Succession,” to the shocking omissions (no Harrison Ford or Elizabeth Olsen), and then the nice surprises (wow, “Jury Duty”!). The nominations were telling on a number of fronts — including the current assessment that we may very well see a beat “Succession”/”Ted Lasso” dominance. Did the voting procedural changes help bring in a wider group of nominees? No. And will voters pick straight tickets of “Succession” and “Ted Lasso” nominees? Quite possible. Who will win the “SNL”/”Last Week Tonight with John Oliver” smackdown? What are our favorite faceoffs this year? (How can one pick between birthday celebrations for Norman Lear and Carol Burnett, for example?)

Clayton Davis Senior Awards Editor A group of state legislators representing the California Legislative Black Caucus are calling on film studios to meet with them regarding the sudden removal of Black female executives over the past few weeks. A mass exodus of Black women from senior leadership posts — Vernā Myers (Netflix), LaTondra Newton (Disney), Jeanell English (Academy of Motion Picture Arts and Sciences) and Karen Horne and Terra Potts (Warner Bros. Discovery) — has raised questions about the depth of the film and television industry’s commitment to diversifying the top ranks of the entertainment industry. The CLBC held a press conference on Thursday, citing the executives’ resignations and removals after the State Legislature approved the $1.6 billion Film Tax Credit initiative to provide tax incentives for the film studios.

Clayton Davis Senior Awards Editor “Fall festivals are fucked.” That was one studio executive’s blunt assessment about the impact of an actors’ strike on the rapidly approaching Telluride, Toronto and New York film festivals. Showcasing Oscar contenders at these annual events is going to be much more difficult now that SAG-AFTRA has joined the WGA on the picket lines. “You can’t premiere movies anywhere without your stars,” the executive said. “No stars, no movie.” And SAG-AFTRA has made it clear that its members are not to do any promotional activity around their movies until a new contract deal is reached and ratified. So that means that the red carpets that make these festivals massive media events will be significantly less celebrity-studded. So why would studios shell out hundreds of thousands, even millions of dollars, to launch a movie at one of these gatherings?

Clayton Davis Senior Awards Editor Voice acting is equally as important as on-screen performances, even though Hollywood doesn’t seem fully aware of it yet. From the envious Lucille La Verne’s jealous Queen from “Snow White and the Seven Dwarves” (1937) to the whimsical magic of Robin Williams’ Genie in “Aladdin” (1992), there have been countless contributions to the acting form; all conveyed through the passion of a talented performer’s tone. In honor of Walt Disney Co.’s 100th birthday later this year, Variety ranks the animation powerhouse’s 13 best voice-acting performances, including their subsidiaries, such as Pixar.

Clayton Davis Senior Awards Editor This year’s Emmy nominees will highlight a more diverse crop of actors, with Latino performers having a particularly strong showing. Of course, much of that is thanks to Pedro Pascal, who has become the most nominated Latino in a single year with three noms. He’s recognized for his work in “The Last of Us” as lead drama actor, “Saturday Night Live” as guest comedy actor and “Patagonia: Life on the Edge of the World” as outstanding narrator. Pascal’s nomination for HBO’s dystopian video game adaptation makes him only the second Latino ever recognized in the drama category after Jimmy Smits’ four consecutive noms for “NYPD Blue” from 1996-1999. But there were some notable Latino stars who didn’t hear their names read — namely, Diego Luna, who was snubbed for Disney’s “Andor” despite its best drama series nomination.

Emmerdale fans have gone wild after recognising Lloyd's wife Julie after she made her debut on the ITV soap on Friday. Julie has made an appearance on screen as the wife of creepy newcomer, Lloyd, who had been stalking young mum Amelia Spencer, and is currently in hospital after Dan Spencer punched him. Viewers will recall that Amelia's protective dad, Dan, took matters into his own hands last week after the police failed to do anything about the stalking due to lack of evidence.

Clayton Davis Senior Awards Editor From Scar’s telling us to be prepared to the poor unfortunate souls of Ursula, Disney movie villains have played vital roles in simultaneously frightening viewers and becoming fan favorites over the decades. In honor of Walt Disney Co.’s 100th birthday later this year, Variety ranks the animation powerhouse’s 10 best movie villains of all time.

Clayton Davis Senior Awards Editor A mass exodus of Black women from senior leadership posts across Hollywood during the last few weeks is raising questions about the depth of the film and television industry’s commitment to diversifying the top ranks of the entertainment industry. The high-profile departures have sparked outrage on social media, with mounting concerns that major studios are only performing lip service after pledging to elevate more people of color to positions of influence. In the last month, six Black women executives in prominent leadership roles have abruptly left their positions in the studio system. Many oversaw DEI (diversity, equity, inclusion) departments, putting them on the frontlines of larger effort to change corporate cultures and hiring practices. The exits include Karen Horne, who led DEI efforts at Warner Bros. Discovery and Jeanell English, executive VP of impact and inclusion at the Academy of Motion Pictures Arts and Sciences. The other prominent executives are Netflix’s Vernā Myers, the streamer’s first head of inclusion; Disney’s LaTondra Newton, chief diversity officer and senior VP; and another Warner Bros. executive, Terra Potts, VP of worldwide marketing. On Monday, Joanna Abeyie, the BBC’s creative diversity director, joined their ranks. And even though the steady stream of departures is alarming, multiple industry sources tell Variety that more BIPOC executives are expected to join them in the coming weeks.

Clayton Davis Senior Awards Editor Jeanell English, executive vice president of impact and inclusion, is exiting her role at the Academy of Motion Pictures Arts and Sciences. English was promoted to the newly created role in July 2022 by Academy CEO Bill Kramer. In her role, she led the Academy’s initiatives to address underrepresentation across the industry and the talent development programs such as Academy Gold. Over the past year, she’s been a key figure in major initiatives and changes across the organization including developing the infrastructure for the Academy’s inclusion standards and enabling a path for community, advocacy, education and empowerment amongst its members and staff. She also designed and implemented the Academy’s first mid-career talent development program, the Academy Film Accelerator, which advocates for the careers of filmmakers from underrepresented communities.

Clayton Davis Senior Awards Editor Love stories, period dramas, the origins of sneakers and an explosion of multiverses are among the standout movies from the first half of 2023 that could have the legs to make it to next year’s Oscar ceremony. As we enter the midpoint of the calendar year, we turn our attention to which films seem worthy of Academy recognition, based on critical acclaim and buzz surrounding contenders. The list considers films that have had theatrical releases and standouts in 19 of the 23 Oscar categories.

Clayton Davis Senior Awards Editor The casual Oscar observer might wonder how some of the 398 new members invited to join the Academy’s ranks qualify for the honor that includes Oscar voting rights. From Taylor Swift to Warner Bros-Discovery CEO David Zaslav, it’s not always obvious how the Academy of Motion Picture Arts and Sciences decides who to invite as next year’s class of new members. Oscar winners are automatically invited to join the ranks after their big moment, so Billie Eilish was therefore eligable after she won the Oscar for the James Bond song “No Time to Die” (2021) with her brother Finneas.

Clayton Davis Senior Awards Editor Austin Butler, Ke Huy Quan, Keke Palmer, NT Rama Rao Jr and music superstar Taylor Swift are among the 398 artists and executives invited to join the membership of the Academy of Motion Pictures Arts and Sciences. If all of this year’s invitees accept membership, it will bring the total number of overall Academy members to 10,817 (up from 10,665 last year), with 9,375 eligible to vote (a decrease from 9,665 due to deaths, retirements and moving to emeritus status) for the 96th Oscars, set to take place on March 10, 2024. The 2023 class is 40% women. 34% belong to underrepresented ethnic/racial communities and 52% hail from 51 countries and territories outside the United States. There are many recent Oscar nominees among the invitees, such as Austin Butler (“Elvis”), Paul Mescal (“Aftersun”), Stephanie Hsu (“Everything Everywhere All at Once”) and Kerry Condon (“The Banshees of Inisherin”). The list also includes many of the 95th ceremony’s winners, such as Ke Huy Quan (supporting actor for “Everything Everywhere All at Once”) cinematographer James Friend (“All Quiet on the Western Front”) and composer and songwriter M.M. Keeravani and Chandrabose (“Naatu Naatu” from “RRR”). Even the dynamic “RRR” lead acting duo of Ram Charan and N. T. Rama Rao Jr. have also been extended invitations, along with the film’s production designer Sabu Cyril and cinematographer K.K. Senthil Kumar.

Clayton Davis Senior Awards Editor With too much television, viewing every piece of content that is up for consideration for this year’s Primetime Emmy Awards nominations is impossible. With 163 drama series, 95 comedies, 51 limited or anthologies and 61 television movies, every TV-goer has their tastes. Variety staffers have come together to curate its own dream Primetime Emmys ballot, with voting set to close at 10 p.m. PT tonight. However, it should be noted — we love consistency, especially in TV land. With our selections, we want to continue to promote (and advocate) for the Television Academy to allow 10 nominees in the top series categories. In addition, we would love to see uniformity in the acting races (having some categories with five while others have eight doesn’t make much sense. With this large TV boom, more options should be available for the respective lineups.