John Williams composed for his most famous cinematic hero, Indiana Jones. “As I often remind John, his music follows me everywhere I go — literally,” Ford says. “When I had my last colonoscopy, they were playing it on the operating room speakers.” Creating those big, bold, brassy musical moments has become Williams’ trademark over his seven-decade career.
Without his symphonic genius, some of the most indelible images in movie history — from E.T.’s flight across the moon to the ravenous shark zeroing in on an unsuspecting swimmer — would have lacked their singular power.
This year, Williams is resetting the record books again with his Academy Award nomination for best original score for “Indiana Jones and the Dial of Destiny.” It’s his 54th nomination, which is the most ever for someone not named Walt Disney, and thus the biggest tally for any living person — and any nonproducer, period. “People ask about a legacy,” Williams says as he sits in the Amblin screening room on the Universal lot, adjacent to his bungalow office. “If I could be remembered as someone who did his job well and remembered as a good solid musician, I would rest very happily.” And even though he’s not ready to surrender the staff-lined paper and pencil with which he’s written his scores, Williams, 92, is also the oldest person to be nominated for an Oscar.
Ask Williams what the 54 nominations mean to him, and he says, “Well, I’ve lost 49 of ’em, or something like that” — though for him the initial nods that come from the music branch are the main thing, because “the selection process is that of your peer group, and so their approval and appreciation is doubly meaningful.
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