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Ana De-Armas
Ana Celia de Armas Caso (born 30 April 1988) is a Cuban actress. She began her career as a teenager in her native Cuba and most notably had a leading role in the romantic drama Una rosa de Francia (2006). At the age of 18, she moved to Madrid, Spain and starred in the popular teen drama El Internado for six seasons from 2007 to 2010. After moving to Los Angeles, de Armas had English-speaking roles in the horror film Knock Knock (2015) and the crime drama War Dogs (2016). She had a supporting role in the sports biopic Hands of Stone (2016).
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Toronto premiere of ‘Eden’ paused after attendee was stretchered out for medical emergency

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Eden at the Toronto International Film Festival (TIFF) was paused mid-screening due to a medical emergency in the audience.On Saturday (September 7), director Rod Howard and the film’s cast – which includes Jude Law, Ana de Armas, Sydney Sweeney and Vanessa Kirby among others – premiered the survival thriller film at TIFF.Per a Variety report, the screening began around 5:45pm, but was paused at 7pm after people in the audience began murmuring.

The screening was paused and the lights were turned on to provide medical attention to a viewer. It isn’t clear what exactly happened, but the attendee was reportedly stretchered out of the hall.The film continued its screening around 7:20pm, followed by a Q&A session with the cast and Ron Howard.

Before the Q&A session, Toronto International FF CEO Cameron Bailey announced to the audience that the attendee who was stretchered out “will be OK”.Eden is led by Jude Law and Vanessa Kirby, who play a high-society European couple who “seek a new life on a previously uninhabited island in the Galápagos, only to discover that hell is other people,” according to the film’s official description. “Nothing will test their mettle more than the challenge of coexisting with desperate neighbours capable of theft, deception, and worse.”In related news, Francis Ford Coppola’s long-awaited passion project Megalopolis premiered at Cannes earlier this year.

The film scored a two-star review from Lou Thomas, who wrote for NME: “The trouble is – and maybe this was also part of the point, somehow – the whole piece is so uneven, that at times it’s akin to watching a toddler being given free rein as an interior decorator.

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