Taylor Sheridan’s ‘Special Ops: Lioness,’ Starring Nicole Kidman and Zoe Saldana, Is Shameless Military Propaganda: TV Review
variety.comAlison Herman TV Critic The women in Taylor Sheridan projects tend to be lone wolves. They also tend to fit into specific, narrow archetypes: the vulnerable naif (Kate Macer in “Sicario”; Jane Banner in “Wind River”); the ferocious badass (Beth Dutton in “Yellowstone”; Hannah Faber in “Those Who Wish Me Dead”); the steely matriarch (Beth’s ancestors Margaret and Cara, who anchor the “Yellowstone” prequel series “1883” and “1923”).
The screenwriter is himself a lone wolf, posing for magazine covers in a cowboy hat while denigrating the use of writers’ rooms, and rose to the top of Hollywood’s hierarchy in part through a shameless embrace of genre tropes.
Sheridan’s latest series for the streaming service Paramount+ takes its title from another kind of predator — one who travels in packs. “Special Ops: Lioness” isn’t just the first Sheridan show to feature a true multiplicity of female leads; it’s also the first to have an explicitly gendered premise.
But just because “Lioness” features more women protagonists doesn’t mean Sheridan has grown any more nuanced in his depiction of them.
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