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Mattel TV Studios Taps Three Key Creative Execs, Including Bad Robot’s Cory Bennett Lewis as Head of Production

Jennifer Maas TV Business Writer Mattel Television Studios has tapped three new executives for key roles: Sidney Clifton as head of creative for animation, Cory Bennett Lewis as head of production, and Amy Suh as head of creative for live action, scripted and unscripted. The trio of execs will report directly to Mattel Television Studios chief Michelle Mendelovitz. “We are thrilled to welcome Sidney, Cory and Amy to Mattel,” Mendelovitz said.
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‘Barbie’ Review: Margot Robbie and Ryan Gosling Compete for Control of High-Concept Living Doll Comedy
Peter Debruge Chief Film Critic Check out the brain on Barbie! Sure, she’s just a doll, but that doesn’t mean she has to be an airhead. Therein lies “Lady Bird” director Greta Gerwig’s inspired, 21st-century solution to bringing one of America’s most iconic playthings to life on the big screen. Combine that with the casting of Margot Robbie in the title role, and “Barbie” is already starting out on the right, perfectly arched foot. So what if this high-concept comedy falls a bit flat in the final stretch? Barbie’s strength as a brand comes from her aspirational appeal. While some have rightly criticized the doll for setting unrealistic beauty standards, Barbie also showed girls they can do and be anything, as different models have portrayed her as president, a rocket scientist, even trans. You know who else sets unrealistic beauty standards? Movie stars. Like Barbie, they serve as role models, which is what makes Gerwig’s take on the ultra-popular toy line so darn smart. Robbie might be a dead-ringer for Barbie, but her moxie powers the performance. Gerwig has made the kind of family film she surely wishes had been available to her when she was a girl, sneaking a message (several of them, really) inside Barbie’s hollow hourglass figure.
nypost.com
Meet the woman behind black Barbie’s groundbreaking, ‘dynamite’ style
Greta Gerwig’s much-anticipated “Barbie” movie — which opens in theaters on Friday — “Insecure” actress Issa Rae brings some black power to the iconic doll’s pink world as President Barbie.But it was another African-American woman, Louvenia “Kitty” Black Perkins, who designed the first black Barbie — released in 1980 in a box that touted “She’s black! She’s beautiful! She’s dynamite!”Rather than the long, straight blond tresses and pastel-colored fashions of the traditional white Barbie, the brown-skinned beauty rocked short, curly black hair and a glittering red dress complete with matching dangling earrings.“Everything Barbie [typically] was, I wanted to do the opposite,” Black Perkins, now 75 and based in Los Angeles, told The Post. “I knew exactly how black women wear their hair, how their clothes were different from … all of Barbie’s ball gowns.“Basically,” she continued, “I wanted my black Barbie doll to look more like me.” Although Mattel had introduced a black Christie doll as Barbie’s friend in 1968 — and Cara would follow her in the ’70s — this was the first time an African-American bore the name of the leading lady herself.Not relegated to being an “accessory to Barbie,” this was a main-character creation that Black Perkins made on her way to becoming chief designer of the fashion doll line in the mid-’80s.Coming 21 years after Barbie made her debut in 1959, it was a barrier-breaking move for Mattel as doll demand was changing.“The collectors are the ones that really made a difference because every convention that they had, they were looking for black dolls,” said Black Perkins.
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