‘Superboys of Malegaon’ Review: A Raucous Bollywood Crowd-Pleaser About DIY Filmmaking
variety.comSiddhant Adlakha Following a group of small-town, DIY Indian filmmakers, Reema Kagti‘s “Superboys of Malegaon” is a moving crowd-pleaser that constantly reaffirms its importance through its central theme.
Although the film, which is based on real events, often tries to cover too much ground, it continually circles back to the idea that people must see themselves reflected in art, not just out of want, but out of deep desire stemming from need, in order to live with dignity.
Spanning events from 1997 through the early 2010s, the Bollywood biopic primarily follows photographer and wedding videographer Nasir Sheikh (Adarsh Gourav), a lovelorn man in the tiny city of Malegaon, whose few-hundred-mile distance from Mumbai, India’s financial and cinematic capital, may as well be measured in lightyears.
Nasir runs a failing movie theater with his older brother Nihal (Gyanendra Tripathi), where he insists on showing Buster Keaton and Charlie Chaplin classics rather than the latest Bollywood fare, even if it means losing customers.
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