The Greek provocateur seemed to be smiling throughout Oscar night. In the past he’d delivered films with titles like Dogtooth and The Lobster, and his newest, Poor Things, was now stockpiling the statuary even as Hollywood’s filmmaking elite looked on, perplexed.
Yorgos Lanthimos’ code-busting Poor Things was winning not only successive awards (four in all) Sunday but also the exuberant applause from an audience that seemed to welcome change.
Even chaotic change. Oppenheimer won the big prize on Oscar night, of course, but Oscar voters once again demonstrated their support for the product of the filmmaking underclass.
The Scorsese-Spielberg-Ridley Scott fraternity looked on while dark horses like Lanthimos, or, a year earlier, the Daniels (Kwan and Scheinert) from Everything Everywhere All at Once, stole the action.
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