Filmmaker Barry Jenkins has made some astounding progressive leaps in his career. In 2016, after one acclaimed but tiny-budgeted micro-indie, “Medicine For Melancholy,” he won the Academy Award for Best Picture at the 89th annual ceremony for his highly successful and critically acclaimed coming-of-age drama film “Moonlight.” While he’s made one film, “If Beale Street Could Talk”) and one series since (“The Underground Railroad”), Jenkins turned a lot of heads and arguably even shocked some—especially in the indie and arthouse film communities where he started—when it was announced that he would direct Disney’s “Mufasa: The Lion King,” a live-action photorealistic computer-generated imagery prequel to the similarly made 2019 “Lion King” film by Jon Favreau.
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