Drag Race and elsewhere that a good drag queen has to be able to do it all, still not appreciate the loads of talent involved.“I think a lot of queens try to answer this,” Monét continues. “Is it the gay thing?
Why is it that folks do not value the immense talents and contributions that drag queens have made to the industry? I don’t understand why they don’t see the value and how fucking incredible it is.”While frequently expressing her gratitude for the opportunities her talents as a drag performer have earned her, especially since co-winning Drag Race All Stars Season 4, Monét also spoke of her frustration that drag queens often are not being appreciated for the artists they are.Particularly in the music arena, which is packed with Drag Race alums pumping out club tracks, perceptions appear to be extremely limited in what kind of music the market wants from drag queens.
But Monét — whose first album, the EP Unapologetically, dabbled in dance and disco, with flourishes of her classically-trained operatic range — is hoping to shift perceptions with her latest, a straight-up R&B album, Grey Rainbow, Volume 1.Recorded entirely with producer Mr.
International, the project reunited Monét with her Unapologetically songwriting collaborators Eritza Laues and Cannon Mapp to craft songs built around her life in love and lust. “The three of us, we wrote and did all these songs and melodies together,” Monét explains. “Just the three of us, and International gave us all the tracks.”And in the process, Monét, who’s definitely no stranger to recording — she and bestie Bob the Drag Queen have recorded countless eps of their popular pod Sibling Rivalry — discovered a whole new love for recording.“Our process was just so dope,” she.
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