Carlos Aguilar Smoking weed and telling off Catholic priests are just two of the ways Malu Rocha (Yara de Novaes) asserts her rebellious spirit.
The eccentric, indomitable and idiosyncratic actress at that center of Pedro Freire’s feature debut “Malu” is the embodiment of a highly flammable substance.
Her volatile personality, capable of consuming everything in her way, ignites a Rio de Janeiro-set intergenerational drama inspired by the life story of the director’s mother.
Malu doesn’t live in the present. Most of the time, she’s either retelling stories from her youth about getting into trouble with the law during the dictatorship years, or else rambling about a hypothetical future.
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