Chris Willman Senior Music Writer and Chief Music Critic Maggie Rogers is headlining arenas for the first time this fall, but she didn’t want it to feel like moving into bigger spaces for her concerts would mean a more impersonal experience.
So for 11 shows that just went on sale in late April, she went out and personally manned the box office on opening day to help sell tickets for those big shows.
Rogers had earlier done the same thing for a short series of club shows she performed to kick off the touring cycle behind her new album, “Don’t Forget Me.” For the fans who lined up to take advantage of having Rogers as their personal ticket concierge, the experience lived up to its unforgettable billing.
Maintaining intimacy in the face of expanding career growth has been important for Rogers, who came out of the gate as a near-instantaneous star in 2019 with her “Heard It in a Past Life” album, which debuted at No.
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