There’s an odd tension and dichotomy coursing throughout the new documentary, “Frida,” an intimacy meets a standard-issue form: a lyrical, magical quality next to something just maybe too safely chronological for its own good.
Carla Gutierrez’s new documentary, her directorial debut, is well-meaning and has a clear devotion and affection for her subject, the legendary Mexican artist Frida Kahlo, but as a primarily told cradle-to-grave story, it is doggedly linear and therefore often feels a little familiar.
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