Charlotte Church on the end of Pop Dungeon and her “joyful, naughty” new material

nme.com:

Charlotte Church has spoken to NME about her decision to bring her famed Late Night Pop Dungeon to an end, and what to expect from her “joyful” but “naughty” new material.The former opera singer turned alt-pop solo star and political activist gained a reputation on the festival, club and grassroots venue scene over the last seven years for her Late Night Pop Dungeon gig series – performing a range of high octane covers by the likes of Destiny’s Child, Nirvana, Rage Against The Machine, Beastie Boys, Beyoncé, En Vogue, Black Sabbath, Prince and many more, along with cuts from her solo career.She embarked on the final UK tour for the project last year, before giving the Pop Dungeon one last outing at Liverpool’s Eurovision village last week (Friday May 11).Speaking to NME backstage at the village ahead of her performance, Church explained how the gig series came about in the first place – seeking to do something different and separate to her alt-rock leaning set of EPs ‘ONE’ through ‘FOUR’ released from 2012-2014.“The origin story of it really is that [comedian] Stewart Lee asked us to play All Tomorrow’s Parties, which you know is super arch, chin-strokey, ’Patrish’ and all the rest of it,” she explained. “We very far away in time from the EP project so it didn’t make much sense to do that.”Church and her band then came up with a concept of “old school covers” they found to be “really disruptive” but still “fucking excellent”.