Taylor Alison Swift is an American singer-songwriter. She is known for narrative songs about her personal life, which have received widespread media coverage. At age 14, Swift became the youngest artist signed by the Sony/ATV Music publishing house and, at 15, she signed her first record deal.
Her 2006 eponymous debut album was the longest-charting album of the 2000s in the US. Its third single, "Our Song", made her the youngest person to single-handedly write and perform a number-one song on the Billboard Hot Country Songs chart. Swift's second album, Fearless, was released in 2008.
Buoyed by the pop crossover success of the singles "Love Story" and "You Belong with Me", it became the US' best-selling album of 2009 and was certified diamond in the US. The album won four Grammy Awards, and Swift became the youngest Album of the Year winner.
Rafa Sales Ross Guest Contributor Three women live a quiet life amongst the luscious trees of the Canary Islands in the first trailer for Macu Machín’s Berlinale Forum entry “The Undergrowth.” Croatia’s Splitscreen is handling sales on the title.
The title also represents the latest from Tenerife-based El Viaje Films, quickly building as one of the Canary Islands top fiction producers, having co-produced Theo Court’s Chilean Oscar entry “White on White.” It was also recently behind titles such as Venice-selected “They Carry Death” and Locarno prize-winning “Dead Slow Ahead.” Machín’s feature debut is a personal affair, with the filmmaker chronicling the routine of her mother and two aunts as they finally try to settle the distribution of their family inheritance after years of debate.
In the background to the family dispute, nature seeps in, the documentary juxtaposing the lulling rhythms of the island with the eruption of long-held grievances between the sisters.
Speaking with Variety ahead of the Berlin Film Festival premiere of “The Undergrowth,” Machín says the idea for the film first arose two decades ago while she was studying documentary in Buenos Aires, the distance from home leading her to reflect on questions of “identity, belonging, and the dynamics of the place where me and my family came from.” “These women onscreen are my mother and her two sisters,” she continued. “So the conflict of the story, this inability to come to terms with their inheritance, their land and their history, is something that has always been present in my life growing up.
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