Viggo Mortensen Slams 2021 Palme d’Or Winner ‘Titane,’ Says Cronenberg’s ‘Crash’ Is “Head And Shoulders” Above It

Jeff Bridges is thankful to be alive after surviving non-Hodgkins lymphoma, a cancer of the lymphatic system, and COVID. In this week’s issue of People magazine, the Oscar winner detailed his difficult year and a half and how he "was pretty close to dying."  The 72-year-old’s terrifying health saga all started one morning while he was doing his usual exercises at home.The actor felt something strange in his stomach and was compelled to get it checked out by his doctor. "I had a 12-by-9-inch tumor in my body," Bridges recalled.

Ray Liotta, widely known for his role as Henry Hill in the legendary Martin Scorsese crime film "Goodfellas," has died, Fox News Digital can confirm. He was 67.

A charity has been fined £450,000 today after a Lanarkshire woman in its care drowned in a bath.

A Ukrainian mum who fled her war-torn country for a new life in Scotland has been delayed on her journey after her three-year-old son was admitted to intensive care with chronic health issues.

Almost anything gets a horror treatment these days. And unfortunately, the next in line happens to be the beloved children’s book character Winnie The Pooh.

A teenage ambulance worker who was called a 'f***ing f****t' by his boss has been awarded £20,000 in compensation.

A radical and 'healthy' change to our diet could be causing poor gut health, experts have claimed.

Goodfellas star Ray Liotta has died aged 67.

EXCLUSIVE: A group of young Atlanta tastemakers – from pop stars to influencers and entrepreneurs – are going under the microscope in a new docuseries for BET+.

NME has partnered with American Express to launch American Express Gold Unsigned, a groundbreaking new music initiative for unsigned artists in the UK.The initiative will give new bands, producers, singer/songwriters, rappers and rising pop stars alike a shot at securing their first big break in a burgeoning music career.UK artists of all genres are being encouraged to submit their own original music through the Syncr platform from today (May 26).

This Morning viewers are nothing if not varied in their opinions and it was Ant McPartlin and Declan Donnelly who caused a divide amongst them today. The Geordie duo appeared live in the studio to chat to hosts Phillip Schofield and Holly Willoughby on the ITV daytime show on Thursday (May 26).

Shocking.

Kim Kardashian is getting called out by fans for her new ad campaign with Beyond Meat!

Goodfellas and Field Of Dreams actor Ray Liotta has died aged 67.According to Deadline, the actor passed away in his sleep in the Dominican Republic, where he was shooting the film Dangerous Waters.A cause of death has not yet been released.Liotta had his breakthrough role in Martin Scorsese’s 1990 crime film Goodfellas, where he played Henry Hill. Before that, he played Shoeless Joe Jackson in 1989’s Field Of Dreams.The actor received a Golden Globe nomination for Best Supporting Actor for the 1986 film Something Wild.

Oldham’s first openly gay council leader has been formally appointed by councillors.

Down in the DMs, Ne-Yo revealed that his former World of Dance co-judge Jennifer Lopez ghosted him over a message about a possible collaboration.“I did DM J.Lo at one point about a song that I was trying to write for her,” he admitted on the show. “I DMed her in the moment because she wasn’t right in my face and I didn’t have her phone number at the time, so I was like, ‘Alright, we’ll see if she’ll respond here.’”He continued, “She didn’t, which is fine, that’s fine. She’s really busy.”Even though J.Lo never responded to his request, Ne-Yo insists he has no hard feelings towards his former co-worker.“It’s not like we’re friends or anything,” he joked.

M.I.A. has shared a brand new track, called ‘The One’. Listen to the new song below.The English-Sri Lankan musician has also confirmed her new album, ‘MATA’ in on the way.

EXCLUSIVE: Bryan Goluboff, who has served as co-executive producer on NBC’s Law & Order: SVU, is moving to spinoff Law & Order: Organized Crime as executive producer and showrunner for the upcoming third season.

Entertainment One is bolstering its exec team with the promotion of Amanda Bowman Gerisch to SVP Scripted Development.

Hollywood star Ray Liotta has died in his sleep aged 67, the Mirror reports.

said Tuesday. “Not just about Roe vs. Wade but about everything else.”Cronenberg’s “Crimes of the Future” depicts a future in which humans have adapted to the point of no longer feeling pain and have embraced wild surgeries with new transformations and mutations to their bodies.

At a press conference for his new film “Crimes of the Future” at the Cannes Film Festival, Canadian director David Cronenberg was asked about the film’s politics and the abortion debate in America.

In David Cronenberg’s latest genre twister, Crimes of the Future, Viggo Mortensen and Lea Seydoux plays partners who are performance artists, engrossed in performing surgery (largely on the former) for public nightclub spectacle. They’re enthralled with the freedom they can take on each other’s bodies. All of this in a governing society that’s not too fond of it.

Matt Donnelly Senior Film WriterDavid Cronenberg attended the Cannes press conference for his film “Crimes of the Future” and called the United States “completely insane” for potentially overturning Roe v. Wade, which has kept basic abortion rights legal since its 1973 ruling. The director’s new film, which is a return to his body horror roots, addresses “who owns who’s body,” Cronenberg said.“I did write [the script] 20 years ago but you could feel, even then, that this was coming,” Cronenberg said.

David Cronenberg has unfinished business with the future, which is tricky, seeing as it already constitutes a significant slice of his past. His new film — titled “Crimes of the Future,” as in committed by rather than during that span of time — finds the master on the other side of his extended sojourn in high-minded literary adaptation, biopic quasi-prestige, and Tinseltown satire, back to playing the body-horror hits on which he made his name.

Just when his fans may have figured that David Cronenberg had called it a career (he’s now 79 and hadn’t made a feature since the misfired Maps to the Stars in 2014), along comes a film that only the Canadian maestro of the perverse could have created.

There’s a lot of weird fetishes in this world, which we won’t go into, but for David Cronenberg’s Crimes of the Future, the new sex is surgery.

Owen Gleiberman Chief Film CriticMost filmmakers who want to unsettle you in a horror movie will reach for a familiar set of tools: slashers, demons, shock cuts, soundtracks that go boom! in the night. But in “Crimes of the Future,” the writer-director David Cronenberg is out to provoke and disturb us with something far more traumatic than mere monsters.Am I talking about the fact that in the distant future where the film is set, human beings grow mysterious new organs in their bodies? Or that having those organs removed through surgery has become, for a creepy rebel aesthete named Saul Tenser (Viggo Mortensen), a species of performance art? Or that people no longer experience physical pain, and will therefore stand in the street late at night cutting each other for cheap thrills, as if they were shooting heroin in a back alley? Or that surgery itself, as someone puts it, has become “the new sex”? If you see “Crimes of the Future,” you’ll witness all of these outrages, and a few more besides.

“Crimes of the Future” will be David Cronenberg’s final film — never believe a director who says they’re quitting — but it definitely feels like a closing argument, one that both reaffirms the filmmaker’s favorite themes and stylistic choices while also reflecting a shift in his point of view.We’ve been here before with Cronenberg; his 1999 “Existenz” also had the feel of a greatest-hits collection. But for audiences starved for brash choices from one of the cinema’s boldest living provocateurs, even a rehash seems fresher than corporate-assembled, focus-group-approved content.Should this be the Canadian auteur’s final feature, he won’t be leaving on a high note: “Crimes of the Future” won’t be remembered alongside masterpieces like “Dead Ringers,” “The Fly,” “The Brood,” or “Crash.” Nonetheless, as a writer-director, Cronenberg continues to plumb his obsessions, both narrative and visual, and he brings enough energy and bravado to the mix to make this an oft-told story that he’s recounting as though for the first time.Borrowing the title (but little else) from one of his earliest films, “Crimes of the Future” takes place in a near-future dystopia where pain has become a thing of the past and surgery is both a hot trend and the source of a new brand of performance art.

For all their faults, the 2020s are shaping up to be a welcome celebration of actor Vicky Krieps. The Luxembourg actress is perhaps best-known with domestic audiences for her performance in Paul Thomas Anderson‘s “Phantom Thread,” but with 2021’s “Bergman Island” and a pair of 2022 Cannes Film Festival titles (“Corsage,” “More Than Ever“) under her belt, she seems poised to enter that rare stratosphere of performers who move between national cinema and Hollywood with ease.

Body horror king David Cronenberg is back with his erotic sci-fi thriller “Crimes of The Future.” The next screens at the Cannes Film Festival soon and NEON releases it domestically on June 8. And while Cronenberg gets a lot of credit for his own work that made it on the big screen, there are a handful of popular sci-fi projects that Cronenberg seemingly had a direct/indirect hand in helping develop–especially their body horror elements.

Nobody does body horror better than David Cronenberg. And in his first movie since 2014’s “Maps To The Stars,” it looks like Cronenberg returns to what he does best: a visceral, extreme take on humanity as we careen into the future.

This month will see the return of beloved genre auteur David Cronenberg (“Crash,” “Naked Lunch”) to the Cannes Film Festival with his anticipated body horror pic “Crimes of The Future,” which boasts an impressive cast that includes Viggo Mortensen, Lea Seydoux, and Kristen Stewart. During a lengthy interview with Variety, the Canadian filmmaker talked about the studio offers he passed on during the 1980s that included a story about an unnamed Lucasfilm executive/representative hanging upon him when they reached out to him about directing “Star Wars: Return of The Jedi” after Cronenberg mentioned he only directs his own material.

After an eight-year hiatus from the screen, NEON (“Parasite“) is releasing David Cronenberg‘s latest body horror film, “Crimes of The Future” next month. Cronenberg has revealed in a new interview with Variety that the movie, starring Viggo Mortensen, Lea Seydoux, and Kristen Stewart, was originally offered to streaming services such as Netflix and Amazon but they didn’t bite.

EXCLUSIVE: The American Pavilion has set its 2022 lineup ahead of Tuesday’s opening of the Cannes Film Festival, with industry-focused panels and discussions including conversations with Eva Longoria, Viggo Mortensen, Scott Speedman, Emily Watson and Letitia Wright.

Elsa Keslassy International CorrespondentEight years after “Maps to the Stars,” David Cronenberg is coming back to the Cannes Film Festival with what looks to be a big bang. Weaving together equal parts body horror and dystopian panache, “Crimes of the Future” instantly became one of the most buzzed-about competition films after Neon dropped the trailer on April 14, the day of Cannes’ press conference. The lushly-lensed film, which reunites Cronenberg with his muse Viggo Mortensen (“A History of Violence,” “Eastern Promises”) along with Kristen Stewart and Lea Seydoux, could prove as divisive as the Canadian master’s 1996 cult film “Crash” which went on to scoop Cannes’ very first Special Jury Prize for “its audacity, daring and originality.” Ahead of the start of the festival, Cronenberg sat down with Variety in Paris to talk about the long-gestating “Crimes of the Future,” the making of the picture, its underlying themes, while speaking candidly about the difficulty of financing challenging films, as well as his stance on streamers and  U.S.