Just after the midway point in the ominously titledThe Death of Cinema and My Father Too (Moto Shel Hakolnoa Veshel Aba Sheli Gam), an Israeli director is filming his pregnant wife, who has been recruited, like everyone else in his family, to be part of the cast of his fiction feature.
The scene doesn’t work, so “Lena Dunham,” as he dubs his better half when she proposes a change in the script, suggests another scene altogether, about a pregnant woman waiting for her husband at the gynecologist’s office before a scary exam.
But he doesn’t show. The scene, shot with a wobbly Canon in one take, is clearly about how the filmmaker got so absorbed by the fiction he’s trying to create that the only way his wife-with-child can get through to him.
Read more on hollywoodreporter.com
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