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Destry Spielberg’s Feature Debut Pays Its Debts to New Mexico Crew

Gene Maddaus Senior Media Writer The producer of Destry Allyn Spielberg‘s feature film debut said Thursday that the production has paid its debts to its vendors in New Mexico. The film, “Please Don’t Feed the Children,” wrapped production last fall, but still owed about $200,000 to various rental houses. The vendors were told several times over the last five months that they would be paid shortly, but those promises went unfulfilled.
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Kate Bush earns first Billboard Number One album after ‘Stranger Things’ feature
Kate Bush has scored her first Number One on a Billboard albums chart with ‘Hounds Of Love’, which leads the Top Alternative Albums on June 11.The news follows ‘Running Up That Hill’ landing at Number Eight on the Billboard Hot 100 singles chart earlier this week, which marks the first time one of Bush’s singles has landed in the US Top 10 chart.‘Running Up That Hill’ features in the first episode of volume one of Stranger Things 4, which premiered on May 27, and subsequently in episodes involving pivotal moments with the character Max (Sadie Sink).As reported by Billboard, in the May 27-June 2 tracking week ‘Hounds Of Love’ earned 17,000 equivalent album units, surging by 2,086 per cent.Bush’s ’50 Words for Snow’ reached Number Nine on Top Alternative Albums in 2011, with ‘The K Fellowship Presents: Before the Dawn’ hitting Number Five in 2016.‘Hounds Of Love’ is also Number Four on Top Rock Albums and Number 28 on the all-genre Billboard 200.Since Stranger Things 4 first aired last month, Spotify streams of ‘Running Up That Hill’ have increased by at least 153 per cent, with the track also re-entering the Top 10 on the Official UK Singles Chart.In response to the track being used in the show, Bush said: “When the first series came out, friends kept asking us if we’d seen Stranger Things, so we checked it out and really loved it. We’ve watched every series since then, as a family.“When they approached us to use ‘Running Up That Hill’, you could tell that a lot of care had gone into how it was used in the context of the story and I really liked the fact that the song was a positive totem for the character, Max.
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Canada Selects Four Debut Feature Length Films for Cannes Docs-in-Progress Showcase
Lise Pedersen New voices were given center stage at the Canada Docs-in-Progress Showcase, part of the Cannes Festival’s Film Market, with four first feature-length docs in the final stages of production presented to an industry crowd on Friday.The showcase was brought by Telefilm Canada, in partnership with RIDM (Rencontres Internationales du Documentaire de Montréal) and in collaboration with Hot Docs.Of the four Canadian projects showcased at last year’s edition, both “Geographies in Solitude” and “Cette Maison” went to world premiere at the 2022 Berlin Film Festival, before moving on to Hot Docs along with “And Still I Sing.” “Geographies in Solitude” picked up three gongs along the way, including best Canadian feature doc in Toronto. “Back Home”This year’s showcase started with “Back Home” by Vancouver-based filmmaker, photographer and artist Nisha Platzer.It follows her pursuit to get to know her older brother more than 20 years after he took his own life. Through vérité scenes shot with her brother’s friends, intimate recollections re-imagined on 16mm and Super8, and lyrical, handmade visuals, “Back Home” explores questions of identity, forgiveness, loss and healing.Platzer, whose last short “Vaivén” (2020) competed at festivals worldwide, works with and teaches handmade film.For “Back Home,” she used experimental techniques on celluloid to play with light and shadow.
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