El Planeta is as goofy one-off, a singularly eccentric sort of imaginative home movie in which writer-director Amalia Ulman co-stars with her non-pro mother Ale Ulman as women reduced to penury in a tiny apartment in Gijon, Spain, where they run little scams but otherwise do nothing to prevent their slide into dire homelessness and poverty.
And it’s a comedy, one that will appeal to downtown-style hipsters globally, even if the conceit behind the film has its definite limits.
Self-styled eccentricity in and of itself can charm but only goes so far, and the film, which world premiered over the weekend in the World Cinema Dramatic Competition lineup at the Sundance Film Festival, offers little beyond that.Considering themselves “witchy
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