Owen Gleiberman Chief Film Critic Benita (Julia Mayorga), the young woman at the center of “Rare Objects,” the third feature directed by Katie Holmes, has been through a transformative trauma.
In the film’s opening moments, she’s discharged from a mental ward, where she’s been dealing with PTSD; a series of charged flashbacks show us what happened to her.
In Manhattan, where she was a university student majoring in economics, she was approached at a bar by a seemingly nice guy, who had a drink with her, and when she went to the restroom he attacked her, shoving her inside and sexually assaulting her.
She emerges from this crime a shell of her former self, and Holmes shoots the rape so that we experience how the shock and horror of it could undermine someone’s identity.
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