Steve Buscemi: Celebs Rumors

Jennifer Aniston and Drew Barrymore are proving they’re Adam Sandler‘s biggest fans!

Grab a White Russian and head to theater as Fathom Events is bringing back The Big Lebowski to the big screen for its 25th Anniversary on April 16 (4pm and 7pm local times) and 20 (7pm).

Adam Sandler will become the 24th recipient of the Mark Twain Prize for American Humor at Washington, D.C.’s Kennedy Center Concert Hall.The star-studded affair will feature appearances from key Sandler collaborators like Jennifer Aniston, Drew Barrymore, Chris Rock, Conan O’Brien and Steve Buscemi.Rather than relax after his major achievement, the “Hustle” star will continue to hustle.Sandler, 56, just announced that he’s extending his ongoing ‘Adam Sandler Live Tour’ with seven additional arena shows from April 13-21.“One more week of fun? Let’s do it!” the funnyman shared on Instagram.Over the course of the week of fun, Sandler will be stopping into Newark’s Prudential Center on April 13 and Buffalo’s KeyBank Center on April 16.And for those who can’t wait to see the “Billy Madison” and “Uncut Gems” star live this April, we’re happy to report you can scoop up tickets as early as today.Although inventory isn’t available on Ticketmaster until Friday, March 3, fans who want to ensure they have tickets ahead of time can purchase on sites like Vivid Seats before tickets are officially on sale.Vivid Seats is a secondary market ticketing platform, and prices may be higher or lower than face value, depending on demand.They have a 100% buyer guarantee that states your transaction will be safe and secure and will be delivered before the event.A complete calendar including all upcoming tour dates, venues and links to buy tickets can be found below.All shows are for ages 16 and up.As noted earlier, Sandler is being awarded with the prestigious Mark Twain Prize for American Humor.Best of all, tickets are available to the one-night-only celebration of all things Sandler.At the time of publication, tickets can be grabbed for $309

APPOINTMENTSMusic publisher Minds On Fire has appointed Tom Currie to the position of A&R Manager. Currie has a background in live events and promotions, and was most recently Head Of DJ Promotions at PR company Your Army. “Having promoted many successful acts during my career to date I now want to work with [Minds On Fire] to help discover amazing new talent and to assist with the development of our existing writers”.————————————————–RELEASESDutch Uncles have released new single ‘In Salvia’, featuring Metronomy’s Anna Prior, ahead of the release of their new album ‘True Entertainment’ next week.Warmduscher have released new single ‘Love Strong’.

EXCLUSIVE: UTA has signed award-winning actor, director, writer and producer Steve Buscemi and his Olive Productions banner for representation in all areas.

Alessandro Camon is an Academy Award-nominated screenwriter ( The Messenger), playwright (Time Alone) and former Head of Production at Pressman Films. His production credits with Pressman include American Psycho, Thank You For Smoking,  The Cooler, Bad Lieutenant: New Orleans and Wall Street: Money Never Sleeps. He recently wrote the Steve Buscemi-directed Tessa Thompson-starrer The Listener, and the play Scintilla, which opens in Los Angeles in April.  

There is hardly any other networks that have undergone more disruption over the last nine months than Warner Bros. Discovery’s TNT and TBS have post-merger — and it’s not over.

CNN has obtained the exclusive rights to show the Kennedy Center’s Mark Twain Prize for American Humor, this year honoring Adam Sandler.

The Last Of Us drew a healthy number for HBO on Sunday night.

Simon Rich‘s TBS series “Miracle Workers” may be one of the most fascinating shows to hit TV in some time. Each season pits the same central cast in a new dystopic scenario from Rich’s writings, with plenty of cameos from comedy favorites to tie everything together.

Jeff Bridges and Helen Mirren have been listed as just two of the names who will be reading chapters on the audiobook edition of Bob Dylan‘s forthcoming essay collection.The book, The Philosophy of Modern Song, contains over 60 essays written by Dylan about songs by artists such as Stephen Foster, Elvis Costello, Hank Williams and Nina Simone. It is set for release on November 1.Sissy Spacek, Oscar Isaac and Steve Buscemi will also be reading essays written by Dylan.

The list of narrators for the audio version of Bob Dylan’s new book has been revealed. Because, after spending twelve years writing his examination of modern songwriting, he’s fucked if he’s going to spend hours in a studio reading it himself.So, instead, the 66 essays that make up ‘The Philosophy Of Modern Song’ will be read aloud by the likes of Steve Buscemi, Helen Mirren, Sissy Spacek, John Goodman, Renée Zellweger and Jeff Bridges.Dylan – who won the Nobel Prize For Literature for his own lyrics in 2016 – started work on the book in 2010, giving his own critiques of a wide range of songs and culminating in what publisher Simon & Schuster calls “his extraordinary insight into the nature of popular music”.Before you get all excited about getting insight into what Bob Dylan thinks of modern musicians like Billie Eilish, Harry Styles and Ed Sheeran (which I know you were), you should probably know that his definition of ‘modern’ pop music is a bit different to yours.

Chris Willman Senior Music Writer and Chief Music Critic The list of narrators for the audiobook version of Bob Dylan’s upcoming book has come to light, and it reads like a who’s who of Oscar contenders from the past few decades, along with the author himself doing some of the reading. The lineup of voice talent reading chapters from “The Philosophy of Modern Song” aloud includes Jeff Bridges, Steve Buscemi, John Goodman, Oscar Isaac, Helen Mirren, Rita Moreno, Sissy Spacek, Alfre Woodard, Jeffrey Wright and Renée Zellweger. This lineup of all-star Dylan surrogates has yet to be officially announced. It was first published by the U.K. magazine Uncut; Variety has confirmed the list.

Standing between Steve Buscemi’s newest directorial effort, “The Listener,” and his last time on the director’s chair for the Sienna Miller-starring drama “Interview” is a whopping 15 years. Buscemi has been open about his desire to direct again, but nothing seemed to work out until Oscar-nominated writer Alessandro Camon knocked on his door, script in hand.

Guy Lodge Film Critic If you found yourself wide awake in the wee small hours with personal demons rattling in your brain, and you picked up the phone to share them with a patient, neutral stranger, Tessa Thompson’s measured, calming voice is more or less exactly what you’d hope to hear on the other end of the line. As Beth, a night-shift volunteer for a crisis helpline, the actor’s naturally gentle, benevolent presence is the chief asset of Steve Buscemi’s minor-key chamber drama “The Listener” — not that she has a host of elements to compete with in what amounts, on screen at least, to a one-woman show.  Thompson’s unforced credibility isn’t shared, however, by a flat, superficial script that treats an assortment of mental health ailments as quirky conversation fuel. Each anguished call that Beth takes, over the course of one long, dark night of assorted souls, is written less like a recognizable human exchange than as an actor’s heightened audition piece, and played out as such by a voice-only ensemble stacked with distractingly recognizable names. Though the global pandemic is only incidentally mentioned, “The Listener” plays in all aspects like a project conceived in the most self-searching and self-indulgent depths of the isolation era. It’s hard to imagine audiences wanting to enter that headspace now.

In his acting life, Steve Buscemi has certainly mixed things up, finding time for Bruckheimer/Simpson blockbusters, Pixar animation and even Adam Sandler movies in a bid to avoid typecasting as the definitive New York indie guy. In his directing career, however, he tends to stick to a certain genre: small, intimate, personal films like his excellent 1996 debut Trees Lounge, which told the story of a melancholic underachiever whose life revolves around a seedy dive bar where the crowd of misfit regulars become his bizarre de facto family. Loneliness is a familiar motif in Buscemi’s work, and he excelled himself with that in 2005’s Lonesome Jim, starring Casey Affleck as a young man who’s failed in the big city and now has to move in with his parents.

Hugh Jackman and Laura Dern devastated the Venice Film Festival with the world premiere of Florian Zeller’s “The Son,” which earned a 10-minute standing ovation. Jackman appeared visibly moved during the  film’s reception, as did the audience. Jackman hugged his young co-star Zen McGrath amid the ovation. The film, which centers on a gut-wrenching family tragedy, led to audible gasps from viewers during one dramatic scene. Based on this rapturous reception, Zeller might be back for more Oscar glory with “The Son.”“The Son” centers on “a family as it falls apart and tries to come back together again,” according to Sony Pictures Classics’ official synopsis. Jackman stars as a father whose 17-year-old son comes to live with him after deciding he can no longer stay with his mother (Dern) years after his parents’ divorce. Jackson’s character, Peter, has a new partner, Kirby’s Beth. As Peter overextends himself to give his son a better life. 

EXCLUSIVE: Bankside Films has boarded international sales for Steve Buscemi-directed Venice Film Festival drama The Listener, starring Tessa Thompson (Creed).

Clayton Davis In a world where politicians use mental health as mere talking points when discussing gun violence and suicide rates, Steve Buscemi’s “The Listener” addresses the crisis head-on. Written by Alessandro Camon, the Oscar-nominated scribe of “The Messenger” (2009), the film follows a helpline volunteer named Beth, played by Tessa Thompson, who is an integral part of the small army of counselors who field calls from all kinds of people who feel lonely and broken. The film unspools at the Venice Festival’s Giornate degli Autori and is the closing film of Venice Days on Sept. 9. Buscemi can sympathize with anyone who feels lost and broken, especially as he is still reeling from losing his wife Jo Andres in January 2019; they had been married for over 30 years. While in pre-production, the director and producer called a helpline number. “At first, it was in the name of research,” Buscemi told Variety. “I had these dreams in the night involving my late wife, and it was reason enough for me to call. I had an amazing 15-minute talk with this person. I’ll never know who she was, and I never told her who I was. I just talked about Jo, and it was important.”

Things got slightly weird during the latest installment of “Last Week Tonight” as John Oliver exchanged vows with a very large cabbage.

Th 47th edition of the Toronto International Film Festival has selected its Industry Selects, a section of ten audience friendly films up for global acquisition. In addition it was announced that Jason Reitman’s Live Read is returning to the Festival for an all-star event featuring a surprise cast; the filmmaker presenting a surprise screenplay in honor of his late father, Ivan Reitman.

Venice Days – or the Giornati Degli Autori – is an independent side bar to the Venice Film Festival in the vein of Cannes’ Director’s Fortnight section and is not directly associated with the larger La Biennale. But Ferrara’s “Padre Pio” will make its premiere at the fest as part of a larger lineup that was announced Thursday.LaBeouf in the film plays the title character Padre Pio, also known as Francesco Forgione and Saint Pius of Pietrelcina. In real life, Padre Pio was the subject of both adoration and controversy because he displayed bodily wounds or stigmata that many believed to be aligned and associated with the crucifixion of Christ.

“Miller’s Crossing” is the duo’s noirish gangster movie, as crisp and entertaining as any of their more openly lionized achievements. Gabriel Byrne stars as a mobster working for a powerful crime boss (Albert Finney), whose loyalty begins to waver, with increasingly deadly and suitably Coens-esque consequences.

The movies have given us man-children for decades, dating back to Carl Reiner’s “The Jerk,” leading all the way to a bumper crop of “dudes stuck in arrested development” productions through the 2000s and 2010s: “Cyrus,” “The 40-Year-Old Virgin,” “Knocked Up,” “Adult Beginners,” “The Comedy,” “Step Brothers,” “Jeff Who Lives at Home.” Alex Heller’s feature debut, “The Year Between,” descends from this overdone tradition and leaves a new wrinkle on the formula: Bipolar disorder, a formidable condition characterized by extreme mood swings and thus a clear goldmine for slacker burnout comedy.

Zack Sharf Sienna Miller recently told The Guardian that dating Jude Law is most likely one reason she was never abused by disgraced film producer Harvey Weinstein. Miller was the star of the Weinstein-backed “Factory Girl,” in which she played Andy Warhol’s muse Edie Sedgwick. The actor said being in a relationship with Law shaped her connection with Weinstein, as she often called the producer “pops.” Law headlined several of Weinstein’s movies prior to Miller working with him, from “The Talented Mr.

Tom Waits performed a rare live set at a tribute event that was held to honour the late Hal Willner.Willner, who was Saturday Night Live‘s longtime sketch music producer, died in 2020 at the age of 64. Numerous tributes were paid to the producer online following his death, including by Red Hot Chili Peppers’ bassist Flea and Cat Power.Tom Waits and his wife Kathleen also penned a touching tribute, where they called Willner “Wise and reckless.

The Sopranos and All In The Family star was described by her representative Kyle Fritz to The Hollywood Reporter as “one the most gifted actresses” he’s ever worked with, as he confirmed that she died yesterday (April 6).“She [was] one the most gifted actresses I have ever had the pleasure of working with. I will be forever grateful to have been a part of her incredible journey,” he said.Allen won a Tony Award for best actress in 1971 for And Miss Reardon Drinks A Little, and also appeared in A League Of Their Own, Stargate, Seinfeld, NYPD Blue, Grey’s Anatomy, among many other TV series.The actress played Tony Soprano’s aunt, Quintina Blundetto, in the HBO series, who was the mother of Tony’s cousin, Anthony “Tony B” Blundetto (played by Steve Buscemi).News of her death follows that of her Sopranos co-star Paul Herman, who passed away last month.

Group B is making their debut on The Masked Singer!

Sony Pictures Animation’s Hotel Transylvania: Transformania has been granted an April 3 theatrical release date in China. Sony last summer licensed the fourth installment in the successful franchise to Amazon worldwide, but retained China rights.

Leo Barraclough International Features EditorMirsad Purivatra has stepped down as Sarajevo Film Festival director after a 27-year run, and has been replaced by Jovan Marjanović, who was previously in charge of the festival’s industry department and the festival co-director.Purivatra, the founder of the festival, will assume the role of president of the Obala Art Centar Association, the umbrella organization behind the festival.“I am proud of everything we have accomplished over the last 27 years. We started from nothing, when our city was under siege, and today we are a globally renowned institution attended by filmmakers and film industry professionals from the region and the whole world,” Purivatra said.“We have faced many challenges on this journey.

Jordan Moreau For football fans, the Super Bowl is the biggest day of the year. For movie and TV fans, it’s pretty high up there, with new trailers from the year’s most anticipated titles dropping during the game.Some big movie trailers already debuted in the week leading up to the Los Angeles Rams and Cincinnati Bengals facing off, such as “Jurassic World: Dominion,” which brings back franchise leads Laura Dern, Sam Neill and Jeff Goldblum, and Jordan Peele’s next horror movie “Nope,” starring Daniel Kaluuya, Keke Palmer and Steven Yeun.Marvel’s “Doctor Strange in the Multiverse of Madness” aired at the beginning of the big game, teasing a showdown between Scarlet Witch and Doctor Strange, plus a mysterious voice that sounded a lot like Patrick Stewart’s Professor Xavier from the “X-Men” franchise.

Serena Williams definitely sees having more children in her future. ET's Kevin Frazier spoke with the 40-year-old tennis champ about her Super Bowl ad for Michelob Ultra, and she also talked about what's ahead for her when her legendary tennis career eventually comes to an end.Williams said she is ready to one day retire from tennis.«I am prepared for that day, I've been prepared for that day for over a decade,» she says.

Are you ready for some commercials?!

Bright Road (1953), Robert Wise’s Odds Against Tomorrow (1959), and 1974’s comedy Uptown Saturday Night, which the actor and singer directed. That film, in particular, is notable for its cast, which includes Belafonte, Sidney Poitier, Flip Wilson, Richard Pryor, Calvin Lockhart, Roscoe Lee Browne, and Bill Cosby.Also on the bill, Robert Altman’s 1996 jazz-noir Kansas City, in which Belafonte plays a gangster named “Seldom Seen.” The film also stars Jennifer Jason Leigh, Miranda Richardson, and Steve Buscemi.The channel is also highlighting the innovative independent works of Melvin Van Peebles, a one-man creative force who often starred in, wrote, directed, and composed his films.Of the four entries, the most notable are Sweet Sweetback’s Baadasssss Song (1971), in which a Black man outruns white police authorities (the score, by Van Peebles, was performed by Earth, Wind & Fire) and Watermelon Man (1970), a renowned social comedy starring Godfrey Cambridge and Estelle Parsons, in which a white bigot wakes up to find his skin has turned Black.Also on tap: The Harder They Come (1972), featuring reggae artist Jimmy Cliff as a singer who faces down corruption in Jamaica’s music industry.

William Earl “Succession” star J. Smith-Cameron and Steve Buscemi are among the notables who signed on for “The Year Between,” a drama about mental illness that marks the feature writing and directing debut of comedian Alex Heller.The movie, which wrapped production in Chicago late last month, revolves around Heller’s character Clemence, a young woman who drops out of college in her sophomore year after being diagnosed with mental illness.

Katie Song The Gary Sinise Foundation hosted its second virtual Snowball Express event on Monday, connecting 750 families of fallen military service members.As the original Snowball Express would fly military families out to Disney World, the virtual event gifted participants with videos of thanks and appreciation from various celebrities, many of which gave their messages as their characters from productions like “Toy Story” and “Ted Lasso.”This year’s Snowball Express included special messages from Tom Hanks, Tim Allen, Steve Buscemi, Matthew McConaughey, Kristen Bell, Simone Biles, Caeleb Dressel, Jordan Chiles,  Brett Goldstein, Joe Mantegna, Norman Reedus, Tom Kenny, Zachary Levi, Stephen Boss, Allison Holker Boss, Kelli Erdmann,