Federico Fellini: Celebs Rumors

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Why So Many Cannes Auteurs Are Turning the Camera Back on Themselves

Gregg Goldstein These auteurs are ready for their close-up. When Quentin Dupieux’s comedy about an ill-fated film set, “The Second Act,” opened the Cannes Film Festival May 14, it will be just one of several movies about filmmaking and filmmakers to touch down on the Croisette. After all, directors Christophe Honoré, Paul Schrader and Josh Mond are among the other prominent filmmakers who are ready to premiere semi-autobiographical stories.
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From Elizabeth Taylor to Tom Cruise, Taormina Has Hosted the Stars
John Bleasdale Guest Contributor As far as history goes, you can’t get much more historical than Taormina for a film festival. The Antico Teatro (or Greek Theater) – where the latest films will be shown – dates back to 300 BC. More recently – as in a mere century or so – the Sicilian coastal town has proved an irresistible getaway for many, from Oscar Wilde to Greta Garbo. Born in 1955 as the Taormina and Messina Film Festival, the festival has frequently hosted many international stars of cinema, and intermittently distributed the Nastri Azzurri awards voted on by Italian journalists, and at others the David di Donatello, Italy’s equivalent to the Italian Oscars. Here are some key moments from its history. When Dickie fought with Liz: Richard Burton and Elizabeth Taylor had used Taormina as a getaway right at the beginning of their romance fresh from the set of “Cleopatra.” In 1967, they returned to Taormina to attend the film festival with Franco Zefferelli’s “The Taming of the Shrew,” for which Burton received the David di Donatello as best foreign actor. According to rumors, a blazing row on the terrace of their hotel – the San Domenico Palace – ended when Taylor conked Burton on the head with a mandolin.
thewrap.com
‘Nostalgia’ Film Review: Mario Martone’s Thin Story Bolstered by Star Pierfrancesco Favino
For decades, Italian filmmakers dominated Cannes.If the 1960s saw Federico Fellini, Michelangelo Antonioni and Luchino Visconti reign supreme, somehow the 1970s were even richer. Elio Petri and Francesco Rosi won shared top prizes in 1972, while for two consecutive years later that decade the Taviani brothers and then Ermanno Olmi hoisted Palmes across a border that sits just 40 miles away.This year’s lone competition title from an Italian director (the only other Italian language film, “The Eight Mountains,” comes courtesy of two Belgians), Mario Martone’s “Nostalgia” will probably not break that particular drought, but the Neapolitan director can take solace in another modest honor: Telling a story about mothers and sons, about gangsters and priests, and about a peculiar kind of longing for the past in a place where little has changed for hundreds of years, “Nostalgia” is a nigh perfect candidate to wave il Tricolore.Taking a thin amount of plot and stretching it as far and wide as it can go, the film itself is far from perfect, but it does benefit from “The Traitor” star Pierfrancesco Favino’s terrific lead performance as a man who learns the hard way that there’s no going home again.After forty years abroad, Felice (Favino, of course) returns to his native Naples a stranger in a familiar land.
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