Bardo” be Alejandro González Iñárritu’s third best director Oscar in a row following “Birdman” and “The Revenant” wins? It’s a question many were asking heading into the Venice Film Festival, where the Netflix-backed “Bardo” world premiered in competition.
The three-hour-long drama, which wrapped at 12:15 a.m. Venice time, earned a standing ovation of just over four minutes at the Sala Grande.
A number of audience members began leaving before the movie ended given the late hour, but the vast majority stayed to applaud the helmer.Iñárritu was visibly moved by the reception to his film, certainly one of his most personal efforts to date, and had tears in his eyes as he embraced his cast and producers.
The film, which has drawn comparisons to Federico Fellini’s opus “8 1/2,” has so far garnered mixed reviews, but the Venice audience largely stayed with the film, delighting in Iñárritu’s visual spectacles that were at times meandering but often profound and affecting.
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