Giuseppe Tornatore: Celebs Rumors

Lise Pedersen “The Return of the Projectionist,” which is running in the main competition at Swiss doc fest Visions du Réel, where it will have its world premiere, has been picked up by Paris-based doc specialist Cat&Docs. The feature debut of Orkhan Aghazadeh, it tells the story of Samid, a former projectionist in Azerbaijan’s remote Talysh mountains, who is determined to bring cinema back to life in his village using his old Soviet film projector.

It’s a weekend of well-reviewed indie openings with Bleecker Street’s Out Of Darkness, The Monk And The Gun (from the directors of Lunana: A Yak In The Classroom) and limited openings for The Taste Of Things, Perfect Days (Best International Feature nominated), Anthony Chen’s Drift, Bas Devos’ Here and Ennio by Giuseppe Tornatore, which premiered in Venice in 2021 and is finally getting a U.S. release.

Welcome to Global Breakouts, Deadline’s fortnightly strand in which we shine a spotlight on the TV shows and films killing it in their local territories. The industry is as globalized as it’s ever been, but breakout hits are emerging in pockets of the world all the time and it can be hard to keep track. So we’re going to do the hard work for you.

EXCLUSIVE: Music Box Films has acquired U.S. distribution rights to Giuseppe Tornatore’s documentary Ennio, paying tribute to the late, revered film composer Ennio Morricone.

Nick Vivarelli International Correspondent Oscar-winning director Giuseppe Tornatore’s vintage TV series “Il Camorrista,” starring Ben Gazzara as one of the fiercest bosses of the Neapolitan Camorra crime syndicate, is being unearthed from the vault 37 years after the mobster himself quashed the show before it aired. “Il Camorrista” was shot in 1985 as part of an innovative production mounted by Italy’s glorious Titanus shingle and Silvio Berlusconi’s ReteItalia. The production comprised both a Tornatore feature film by the same title and the five-episode TV show.

Naman Ramachandran Jon Hamm, Ryan Coogler and Molly Shannon are among the luminaries headlining a new podcast that reunites former Sundance Film Festival directors John Cooper and Tabitha Jackson. Titled “The Film That Blew My Mind,” the first season of the podcast will have 20 episodes and will be co-hosted by Cooper and Jackson.

When I was in college cinema courses I made a Super 8 film called Movie Girl. It was a Hollywood-set love letter to movies centered on a Musso & Franks waitress who put herself dreamily into the plots of classic films. It won an award there but was the highlight of the directing career I never had. However I have always been partial to filmmakers who put their own early film going experience and passion into their careers now. You may have heard of them. Kenneth Branagh won an Oscar for doing just that in Belfast. Steven Spielberg got several nominations last year for his very personal The Fabelmans . Woody Allen had his own charming take in The Purple Rose Of Cairo. Peter Bogdanovich made a lasting impression with 1971’s The Last Picture Show, as did Giuseppe Tornatore with his Oscar winner, Cinema Paradiso. It is a combination of the latter two especially that might describe the feel of the latest movie about the love of movies, The Movie Teller (La Contadora de Peliculas) which had its World Premiere tonight at the Toronto Film Festival. And just in sheer numbers of classic film clips incorporated into its near two hour running time, this one sets a record in the little sub-genre. For movie lovers everywhere The Movie Teller is a must see.

“I wanted to create a film that was out of time,” Italian filmmaker Alice Rohrwacher says about her Oscar-nominated live action short, Disney+ Original Films’ Le Pupille. “That was classic, but also hand-made.”

Avatar: The Way of Water‘s mega-publicized opening has brought movies back into the conversation, but movie-makers seem to have been lost in the mist. James Cameron’s persona is ablaze across the media but, by contrast, the very personal work of Sam Mendes, James Gray and even Steven Spielberg has done a fade-out in recent weeks.

Nick Vivarelli International Correspondent Francesco Zippel’s Sergio Leone doc, which premieres on Tuesday at the Venice Film Festival, is the first portrait of the Italian master made with full support of his children Raffaella and Andrea. Titled “Sergio Leone: The Man Who Invented America,” the high-profile doc is premiering in the Venice Classics section for docs on cinema. It features an impressive list of voices holding forth on what makes Leone special for them. Among these are: Clint Eastwood, Martin Scorsese, Steven Spielberg, Quentin Tarantino, Giuseppe Tornatore, Frank Miller, Darren Aronofsky, Damien Chazelle and Robert De Niro (see clip). But aside from Leone’s visionary talent as a director what emerges is that as his career escalated from the so-called “Dollars Trilogy” to “Once Upon a Time in the West” through to his final masterpiece, “Once Upon a Time in America,” Leone’s life was steeped in two inextricably linked passions: film and family. 

Rome’s historic Cinecittà Studios on Monday afternoon (Aug. 1) and was extinguished by three teams of firefighters. The fire broke out in the area where a set depicting renaissance Florence was housed and which was being decommissioned, destroying parts of it.

In 1989, Giuseppe Tornatore‘s “Cinema Paradiso” took the cinema world by storm. The film, about a boy named Toto who begins a lifelong love affair with movies thanks to a Sicilian movie house, won the Special Jury Prize at the Cannes Film Festival that year.

Nick Vivarelli International CorrespondentSince Cinecittà Studios was founded in 1937, the sprawling facilities have driven the golden age of Cinema Italiano.The famed city of cinema has also, albeit intermittently, been a magnet for international productions and endured wild fluctuations in the country’s political climate, before recently reemerging as a new frontier for the country’s film and TV industry.Located in the heart of the Mediterranean basin, a short ride from the center of Rome and its airports, Italy’s top production hub has to date, hosted more than 3,000 films that have earned 53 Oscars.During the period following World War II, the studios forged close ties to Hollywood, which helped the Italian industry gain its international standing. The myriad Italian pics made at the studios range from Federico Fellini’s “La Dolce Vita” (1960) and “8½” (1963) to Nanni Moretti’s “Sogni D’Oro” (1981), Sergio Leone’s epic “Once Upon a Time in America” (1984), Giuseppe Tornatore’s “The Legend of the Pianist on the Ocean” (1998) Paolo Sorrentino’s “Il Divo” (2008) and, more recently, his TV series “The New Pope” in 2019.

Eckhart Schmidt Producer and filmmaker Eckhart Schmidt has shot documentaries and five feature films in Sicily. Through his docs, he discovered that Bagheria-born Giuseppe Tornatore was highly influenced by the monsters of the Villa Palagonia, and that Francesco Rosi shot his movie “Salvatore Giuliano” on all original locations.

The David di Donatello Awards were held in Rome on Tuesday evening, the first time Italy’s equivalent to the Oscar has had a fully in-person ceremony in the pandemic era. Taking top honors was Paolo Sorrentino’s The Hand Of God which scooped Best Film and Director as well as Best Supporting Actress for Teresa Saponangelo and a tie for Best Cinematography. In the latter category, The Hand Of God shared the win with Freaks Out, a fantasy drama that likewise debuted in Venice.

Nick Vivarelli International CorrespondentAs they celebrate being held as a physical event, Italy’s upcoming 67th David di Donatello Awards epitomize the ongoing shift in generations and genres that is underway in Cinema Italiano. Leading the pack this year are seasoned auteur Paolo Sorrentino’s most personal film “The Hand of God” and young helmer Gabriele Mainetti’s second feature, the elegant effects-laden historical fantasy “Freaks Out,” which is set in 1943 Rome and involves four “freaks” working in a circus when the Eternal City is bombed by Allied Forces.

Nick Vivarelli International CorrespondentPaolo Sorrentino’s “The Hand of God” and Gabriele Mainetti’s “Freaks Out” lead the pack at the David di Donatello Awards this year with 16 nominations each.Here’s the complete list of nominees:PICTURE “Ariaferma” (The Inner Cage), Leonardo Di Costanzo “The Hand of God,” Paolo Sorrentino “Ennio,” Giuseppe Tornatore “Freaks Out,” Gabriele Mainetti “Qui Rido Io” (The King of Laughter), Mario MartoneDIRECTOR “Ariaferma” (The Inner Cage), Leonardo Di Costanzo “The Hand of God,” Paolo Sorrentino “Ennio,” Giuseppe Tornatore “Freaks Out,” Gabriele Mainetti “Qui Rido Io” (The King of Laughter), Mario MartoneDEBUT DIRECTOR “The Bad Poet,” Gianluca Jodice “Maternal,” Maura Delpero “Small Body,” Laura Samani “Re Granchio” (The Legend of King Crab), Alessio Rigo De Righi, Matteo Zoppis “Una Femmina” (The Code of Silence), Francesco Constabile PRODUCER “A Chiara,” Jon Coplon, Paolo Carpignano, Ryan Zacarias, Jonas Carpignano (Stayblack Productions) — RAI Cinema “Ariaferma” (The Inner Cage), Carlo Cresto Dina (Tempesta), Michela Pini (Amka) RAI Cinema “The Hand of God,” Paolo Sorrentino, Lorenzo Mieli “Freaks Out,” Andrea Occhipinti, Stefano Massenzi, Mattia Guerra (Lucky Red) — Gabriele Mainetti (Goon Films) — RAI Cinema “Qui Rido Io” (The King of Laughter), Nicola Giuliano, Francesca Cima, Carlotta Calori (Indigo Film) RAI CinemaACTRESS Swami Rotolo, “A Chiara” Miriam Leone, “Diabolik” Aurora Giovinazzo, “Freaks Out” Rosa Palasciano, “Giulia” Maria Nazionale, “Qui Rido Io” (The King of Laughter)ACTOR Elio Germano, “America Latina” Silvio Orlando, “Ariaferma” (The Inner Cage) Filippo Scotti, “The Hand of God” Franz Rogowski, “Freaks Out” Toni Servillo, “The King of Laughter”SUPPORTING ACTRESS

Jacques Perrin, the French actor best known for starring in Giuseppe Tornatore’s Oscar-winning film “Cinema Paradiso,” has died. He was 80 years old.“The family has the immense sadness of informing you of the death of filmmaker Jacques Perrin, who died on Thursday, April 21 in Paris.

Nick Vivarelli International CorrespondentFrench actor, director and producer Jacques Perrin, a fixture for decades in both French and Italian cinema — where he was best known for his role in Giuseppe Tornatore’s Oscar-winning “Cinema Paradiso” — has died. He was 80.“The family has the immense sadness of informing you of the death of filmmaker Jacques Perrin, who died on Thursday, April 21 in Paris.

French actor and filmmaker Jacques Perrin has died at the age of 80. His family confirmed the news to Agence France Presse, no cause of death was given.

Nick Vivarelli International CorrespondentItalian producer Massimo Cristaldi, who as a production manager worked with masters such as Federico Fellini and Francesco Rosi before setting up his own company and shepherding films including prizewinning drama “Sicilian Ghost Story,” has died. He was 66.Cristaldi’s death was announced over the weekend by his Rome-based company Cristaldi Pictures in a statement that did not specify the cause.Born in 1956, Massimo Cristaldi was the only son of prominent producer Franco Cristaldi, the triple Oscar-winner who made Pietro Germi’s “Divorce Italian Style,” Federico Fellini’s “Amarcord” and Giuseppe Tornatore’s “Cinema Paradiso.”In 1974 Massimo Cristaldi started cutting his teeth in the film business first as a production assistant and eventually, starting in the 1980s, becoming a line producer on many of his father’s productions, working with Fellini, Rosi, Tornatore, and many other Italian cinema greats.

Naman Ramachandran Italy’s Giuseppe Tornatore, director of the Oscar, BAFTA and Cannes winning film “Cinema Paradiso,” will preside over the features competition jury at Saudi Arabia’s Red Sea Film Festival (Dec. 6-15).

Even if you have trouble with the idea of God, says veteran producer David Puttnam in Ennio, Giuseppe Tornatore’s rapturous paean to his late collaborator Ennio Morricone, when you hear his music, “you can hear that there is something out there.” By the standards of Ennio, the suggestion that God dwells in Morricone’s music is nowhere near over the top. “He’s my favorite composer,” whoops Quentin Tarantino, in a torrent of enthusiasm ferocious even by his standards. “And I’m not talking movie composer! I’m talking Mozart, Beethoven, Schubert!”

Liza Foreman The prospect of watching a two-and-a-half hour documentary on Oscar winning film composer Ennio Morricone, directed by Giuseppe Tornatore, a Oscar winner himself with “Cinema Paradiso,” saw cineastes stream into the film’s Friday evening world premiere at the Venice Film Festival.There was a quiet gathering on the red carpet for Tornatore and friends, who posed for photos as Morricone’s compelling soundtracks played for arrivals.Even before the film began, Tornatore received a standing ovation as he entered the auditorium, and the film received a four-minute standing ovation at the end of the screening.Morricone died while Tornatore was editing the film in 2020, but he lives large on the screen, talking about his work between

Liza Foreman Italian helmer Giuseppe Tornatore’s (“Cinema Paradiso”) documentary “Ennio,” on the late music composer Ennio Morricone, features a pantheon of commentators influenced by the maestro’s scores, from Bruce Springsteen to Hans Zimmer — not to mention the music.Morricone is a two-time Oscar winner who scored over 500 film tracks, including a slew of Sergio Leone films, like “The Good The Bad, and The Ugly.” Morricone died when Tornatore was editing the documentary in July 2020. The film, which is 150 minutes, premieres out of competition at the Venice Film Festival on Friday.“It didn’t change the contents of the film but it changed my vision,” he told reporters at a round table, speaking through a translator.

The talent and influence of Italian composer Ennio Morricone, who died in 2020 aged 91, is undeniable. Synonymous with Sergio Leone’s spaghetti westerns and the instantly-recognizable “wah-wah-wow” theme-tune to “The Good, The Bad and The Ugly,” the extent of his output was phenomenal at over 500 film scores.

Nick Vivarelli International Correspondent“Ennio,” the hotly anticipated Ennio Morricone doc by Oscar-winning Italian director Giuseppe Tornatore has sold to a slew of territories ahead of its world premiere Friday at the Venice Film FestivalBlock 2 Distribution, which is the sales arm of Hong Kong auteur Wong Kar Wai’s Jet Tone films, has announced sales of the doc to Germany and Austria (Koch Media), Benelux (Periscope), France (Le Pacte), Scandinavia and Baltics (Non Stop Entertainment), Italy (Lucky Red), Japan (GAGA) and China (Blossoms Island Pictures).“Ennio” will also go out across the Middle East via (Front Row) and has been additionally sold to Poland (Best Film), Spain (Karma Films) and Turkey (Filmarti). Negotiations for sales

Naman Ramachandran The 78th Venice International Film Festival (Sept.

Venice Adds Ennio Morricone Film By Giuseppe Tornatore

The vast Western landscapes soundtracked by Ennio Morricone during his singular career as a film composer are a long way from the bright lights of clubland. But the electronic music community certainly took influence from the enduring soundscapes of the iconic Italian composer.

The Good, the Bad and the Ugly, died in Rome last week following complications from a fall, according to The Hollywood Reporter.Morricone, who scored more than 500 films, is widely regarded as one of cinema’s greatest composers and won a long-overdue Oscar for his work on Quentin Tarantino’s The Hateful Eight in 2015.He also received nominations for Terrence Malick’s Days of Heaven (1978), Roland Joffe’s The Mission (1986), Brian De Palma’s The Untouchables (1987), Barry Levinson’s Bugsy (1991) and Giuseppe Tornatore’s Malena (2000).Affectionally known as  “The Maestro,” Morricone was also handed an honorary Oscar by Clint Eastwood in 2007, with the Academy hailing his  “magnificent and multifaceted contributions to the art of film