In “The Hand of God,” the Italian director Paolo Sorrentino conjures memories of his formative years in picturesque Naples. Capturing both the sun-dappled summer days he passed in the company of his larger-than-life family and the profound tragedy that set him on a path toward filmmaking, this partly autobiographical drama focuses on Fabio Schisa (Filippo Scotti), a teenager growing up in southern Italy during the 1980s.
Both indulgent and incisive in its evocation of youth, “The Hand of God” departs from the baroque, cynically detached tone of Sorrentino’s best-known works.
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