Oscars Predictions: Best Film Editing – ‘Killers of the Flower Moon’ and ‘Oppenheimer’ Lead the Pack With Legendary Female Editors

With guild agreements being signed and production ramping up, Hollywood hopefully awaits a moment of youthful innovation.

It may only be the end of September, but the race to land a Best Director Oscar nomination may be over before it starts. That’s partially due to the massive critical and commercial success of both Christopher Nolan’s “Oppenheimer” and Greta Gerwig’s “Barbie.” Throw in Yorgos Lanthimos‘ already lauded Venice Film Festival Golden Lion winner “Poor Things” and cinema maestro Martin Scorsese’s “Killers of the Flower Moon,” and, well, there might be just one slot left.

EXCLUSIVE: Apple Original Films and Paramount‘s Martin Scorsese directed, Leonardo DiCaprio-starring Killers of the Flower Moon, landed on more tracking services today and is set for an opening around $24M when it goes wide on Oct. 20. Duly note, that new tracking service Quorum, which does six-week projections also had the same estimate two weeks ago.

Martin Scorcese has suggested in an interview that he regrets his decision to direct Shutter Island, the mystery thriller that came out in 2010.READ MORE:‘Killers Of The Flower Moon’ review: Martin Scorsese’s heartbreaking true crime chillerAhead of the release of his upcoming eighth collaboration with Leonardo DiCaprio, Killers Of The Flower Moon, Scorcese revealed to GQ that he now thinks Shutter Island may not have been the right project for him at the time.Scorcese’s success at the Oscars with The Departed in 2007, sending him home with the award for Best Director, “encouraged [him] to make another picture with Shutter Island.” But the nine-time Oscar nominated director said that at this point, he perhaps should have picked something else instead.He told GQ, “It turned out I should have gone on probably to do Silence,” referring to his 2016 historical drama starring Liam Neeson, Adam Driver and Andrew Garfield. The movie was not one of Scorcese’s great successes, making a loss at the box office, however it has been seen as a great “passion project” of his.Shutter Island, the 2010 psychological thriller about a remote psychiatric facility which saw Scorcese collaborating with DiCaprio for the fourth time was received well at the time and became his second highest grossing film worldwide following Taxi Driver.However, it received no Academy Award nominations at the 2011 ceremony, making it the director’s only feature film released in the last 20 years to have received no Oscar recognition.Scorcese also shared with GQ that he viewed Shutter Island, released by Paramount Pictures, as “the last studio film I made,” with his recent projects being funded independently.

Clayton Davis Senior Awards Editor The Oscars love it when a movie sticks it to the man. Films focusing on systemic inequality, or the monied elite’s morally murky ways, arrive as many industry voters have spent the better part of the year on the picket lines, holding out for a better contract from studios. These movies could strike an emotional chord with Academy members when they cast their ballots.

Martin Scorsese returns to theaters in just over three weeks with his latest feature, “Killers Of The Flower Moon.” And as with any Scorsese film, there’s a lot of buzz about his new pic. The adaptation of David Grann‘s 2017 book of the same name may be the most anticipated movie for the rest of the year next to “Poor Things.” READ MORE: Fall Film Preview: 60+ Most Anticipated Movies To Watch But “Flower Moon” isn’t just a straight adaptation of Grann’s book, which documents the Osage County Murders in 1920s Oklahoma and the birth of the FBI.

Zack Sharf Digital News Director Martin Scorsese participated in a career-spanning video interview for GQ magazine (watch below) and lamented over how many people today resemble his “Taxi Driver” main character, Travis Bickle (Robert De Niro). The lonely and violent Travis is a Vietnam War veteran who befriends a child prostitute as his mental health deteriorates. Some film writers have described Travis as an incel-like character.

Matt Donnelly Senior Film Writer On the heels of the record-breaking performance of “Barbie,” veteran film executive Robbie Brenner has been elevated to president of Mattel Films. Brenner moves up from her role as executive producer at Mattel, the longstanding toy company that’s spent years switching focus to original content based on its intellectual property under CEO Ynon Kreiz.

Following the massive success of its live-action Barbie, Mattel Films has tapped Robbie Brenner as President. She had been Executive Producer of Mattel Films since 2018.

Jaden Thompson Emma Stone and Nathan Fielder have their sledgehammers ready, but they might not only be breaking down walls in their new show Showtime and A24 comedy “The Curse.” The studios have released the first trailer for their genre-defying new series, set to premiere on Nov. 10 on Paramount+ and air Nov. 12 on Showtime.

Clayton Davis Senior Awards Editor Rodrigo Prieto, the Oscar-nominated cinematographer, will be honored with the 2023 Árbol de la Vida – lifetime achievement award at the 13th edition of the GuadaLAjara Film Festival on Nov. 1. Taking place at the Theater at the Ace Hotel in Downtown L.A., the Mexican D.P.

Zack Sharf Digital News Director Martin Scorsese revealed in an interview with GQ magazine that Warner Bros. wished to turn his Oscar winner “The Departed” into a franchise, much to his disagreement. The movie stars Leonardo DiCaprio as a Massachusetts State Police officer and Matt Damon as a Boston gang member who go undercover to infiltrate each other’s organizations.

Clayton Davis Senior Awards Editor Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual contender. As other formal (and informal) polls suggest, competitions are fluid and subject to change based on buzz and events.

Even though Martin Scorsese’s films end up getting major distribution with large studios, the filmmaker works primarily independently. He is no longer beholden to the traditional Hollywood studio system where executives have a say in the creative aspects of a film.

McKinley Franklin editor This home improvement show isn’t like anything you’ll see on HGTV. “The Curse,” a genre-defying series starring Emma Stone and Nathan Fielder, will premiere on Nov. 10 via Paramount+ with Showtime ahead of its on-air Showtime debut on Nov.

Oppenheimer is still drawing huge box office figures in China as it neared the $60million (£49million) mark last weekend.From last Friday (September 22) to Sunday (24), Christopher Nolan’s historical epic added $2.5million (£2.million) in drawings, bringing the total close to $58.1million (£47.5million), as reported by The Hollywood Reporter with data from box office tracker Artisan Gateway.The film ranked in fourth behind new Chinese crime thriller Dust to Dust, Expend4bles and Chinese blockbuster No More Bets.Oppenheimer has been a huge IMAX success in China since its release nearly one month ago, earning $740,000 (£606,000) this weekend for $17million (£13.9million) total in the format. It’s also the fourth-biggest US film release in China of 2023.The Cillian Murphy-starring drama also become the highest-grossing biopic of all time this month, surpassing previous record-holder Bohemian Rhapsody.The feature has now grossed more than $912.7million (£736million) at the global box office, overtaking the Queen biopic’s $910.8million (£734.5million) haul to make it the most successful biopic at the box office.Oppenheimer has already broken a number of box office records, recently becoming the most successful World War 2-related film ever.

Any time Martin Scorsese makes a film, it’s a big event, and his crime drama, “Killer Of The Flower Moon,” has been at the top of our Most Anticipated Films of The Year list two years in a row (there was hope that it might arrive in 2022). Starring Leonardo DiCaprio, Robert De Niro, and Lily Gladstone (“Certain Women”), it’s about a series of murders that took place in Omaha’s Osage Nation in the 1920s; essentially, the Osage Native Indians were getting rich off the oil they were legally entitled to, and this made a lot of racist white people incredibly unhappy, to say the least.

Martin Scorsese is opening up about a lot of things in a new profile piece for GQ magazine.

Martin Scorsese is voicing his opinion on Marvel movies again.

When you are a legendary filmmaker with a career that spans six decades, there are inevitably people who are going to argue about which films are best. In the discussion surrounding Martin Scorsese’s career, narrowing it down is difficult enough, with many people having an issue trying to pinpoint which of his crime thrillers are best, let alone which is his overall best film.

Martin Scorsese has discussed the impact of comic book films and franchises on cinema culture, encouraging filmmakers and audiences to “fight back” against it.The director, who previously described Marvel movies as “not cinema” in the past, tackled the topic once again during an extensive interview with GQ.“The danger there is what it’s doing to our culture,” Scorsese said about the glut of comic book movies in cinemas. “Because there are going to be generations now that think movies are only those – that’s what movies are.”When the interviewer proposed many people already think that way, Scorsese agreed, adding: “They already think that. Which means that we have to then fight back stronger.

Martin Scorsese is doing the press rounds for his forthcoming Killers of the Flower Moon, and during a recent feature article, he was once again quizzed on his opinions about comic book films. 

Robert De Niro has denied reports that he’s reprising his role from Taxi Driver in an upcoming Uber advert.Last week, reports in The Sun claimed the actor was set to play the role of Travis Bickle from the 1976 film in the advert campaign, where he would say the character’s famous line: “You talkin’ to me?”De Niro’s representative has since confirmed he will be appearing in an advert for Uber, but said it wouldn’t be connected to his character in Taxi Driver.“De Niro’s Uber commercial has nothing to do with his Taxi Driver character,” his representative told The Hollywood Reporter.The advert campaign is currently being filmed in London and is expected to be released later this year.Prior to De Niro’s denial, Taxi Driver writer Paul Schrader responded to the reports in a post on Facebook. “Ouch,” he wrote.

A theme running through most recent (within the past five years or so) interviews with Martin Scorsese is about how the filmmaker laments the current state of the film industry. Particularly, the legendary filmmaker isn’t pleased with Hollywood filmmaking and the content being produced—mostly comic book films and franchise projects.

William Earl In a sprawling new profile with GQ, director Martin Scorsese discussed comic book and franchise culture, a topic which he has spoken out about at length in the past. When asked about those blockbusters, Scorsese said that their omnipresence could be negative to audiences who aren’t well-versed in other types of film. “The danger there is what it’s doing to our culture,” he said.

Naman Ramachandran Martin Scorsese, Greta Gerwig and Emerald Fennell are among the filmmakers delivering screen talks at this year’s BFI London Film Festival, alongside Andrew Haigh, Lulu Wang and Kitty Green. Scorsese’s “Killers of the Flower Moon,” starring Leonardo DiCaprio, Robert De Niro and Lily Gladstone, is a headline gala at the festival. He will be in conversation with filmmaker Edgar Wright about his body of work.

Michaela Zee “Taxi Driver” screenwriter Paul Schrader has expressed his disapproval of Robert De Niro reprising his role as Travis Bickle in an Uber ad campaign. “Ouch. Why Bob would do this is beyond my reckoning,” Schrader wrote on Facebook on Wednesday evening.

Michael Caine is sharing his thoughts on working with intimacy coordinators.

Christopher Nolan’s Dark Knight trilogy has revealed that studio bosses wanted to cast Leonardo DiCaprio as a key villain.David S Goyer wrote the three Batman adaptations alongside Nolan. He’s now explained how, at the premier of The Dark Knight, the head of Warner Bros studio put forward the suggestion of DiCaprio as an actor to appear in The Dark Knight Rises.Speaking on the Happy Sad Confused podcast, Goyer said the boss suggested that DiCaprio should play The Riddler in the final film in the trilogy.

Greta Gerwig could “not stop laughing” at a deleted scene from Barbie with Michael Cera.The film’s cinematographer, Rodrigo Prieto, said he shot “many scenes” for the film that “didn’t end up in the movie”, including one that was inspired by Steven Spielberg’s Jaws. The scene was so funny that Gerwig, who directed the film, “could not stop laughing” at the scene that involved Cera, who played Ken’s friend Allan in the film.Speaking to Variety, Prieto said: “We did this shot on Allan that emulated Jaws. He’s terrified [when] Ken hits a wave and then flies in the air.

Screenwriter David S. Goyer dropped some insider information on a new episode of the.

The Oscar Meter at Deadline is working overtime as the race for the 96th Academy Awards is shifting into higher gear as summer turns to fall this weekend.

Jake Gyllenhaal almost played Batman in Christopher Nolan‘s trilogy!

McKinley Franklin editor “Barbie” cinematographer Rodrigo Prieto says he shot “so many scenes” for the Greta Gerwig blockbuster “that didn’t end up in the movie” — including a scene inspired by Steven Spielberg’s “Jaws.” “There were many moments that ended up on the cutting room floor,” he tells Variety. “There are many things that I imagine will start coming out,” he continued, referencing “Barbie’s” scheduled Sept. 22 IMAX release that will include new post-credit scenes.

Zack Sharf Digital News Director David S. Goyer is the co-architect of Christopher Nolan’s “Dark Knight” trilogy. The director recruited Goyer to help him flesh out the story and co-write 2005’s “Batman Begins,” before Nolan and his brother Jonathan penned the scripts for 2008’s “The Dark Knight” and 2012’s “The Dark Knight Rises” based on stories cracked by Goyer.

Zack Sharf Digital News Director In a career-spanning interview on the “Happy Sad Confused” podcast, “Man of Steel” writer David S. Goyer agreed with host Jake Horowitz that Warner Bros. should’ve developed a standalone Superman sequel with Henry Cavill instead of rushing to create a universe with “Batman v Superman: Dawn of Justice.” The studio did so in order to compete with Marvel and create its own superhero universe.