Christopher Vourlias One year before its upcoming premiere in the Venice Film Festival’s Horizons section, Polish director Damian Kocur’s feature debut “Bread and Salt” screened for a select audience of industry tastemakers in Wrocław, Poland.
In 2019, Jan Komasa’s “Corpus Christi” played in the same showcase for upcoming Polish films before launching its campaign for best international feature ahead of the 92nd Academy Awards.
It’s an indication of the growing muscle of Wrocław’s New Horizons Film Festival and its industry arm, Polish Days, that producers, festival programmers, sales agents and distributors from around the globe make the summer trek to the historic university city, with its Gothic and Baroque architectural marvels situated on the Oder River.
Since launching in 2013 in cooperation with the Polish Film Institute, Polish Days has become the premiere event to discover new Polish cinema, building on the “growing number of Polish films and growing interest” in the local film business, said New Horizons’ head of industry Weronika Czołnowska.
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