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Motherhood, Spain’s Tumultuous History, Destiny, Co-Existence: Issues and Talents in Malaga Goes to Cannes Titles

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Holly Jones Spain’s Festival de Málaga, through its industry arm Mafiz (Málaga Festival Industry Zone), heads to the Cannes Marché du Film with five works-in-progress from burgeoning Andalusian talent. “The Malaga Festival wants to support the completion of these works and make their international distribution viable,” commented Malaga head of industry, Annabelle Aramburu.

This year, as Cannes more broadly celebrates Spain, the event curates two titles that tackle its tumultuous history and one which takes audiences on an unconventional road trip questioning the biological clock alongside narratives that dissect the minutiae of new forms of co-existing and the baffling concept of destiny.

The second edition of Málaga Goes to Cannes takes place on Monday May 22. “Alone In The Night,” (Guillermo Rojas) A wry take on the eve of Feb.

23, 1981 when an attempted coup in Spain threatened its young democracy, profoundly changing the lives of the protagonists, an ensemble cast that includes Pablo Gómez-Pando (“Los Inocentes”), Andrea Carballo and Beatriz Arjona of “Cable Girls,” Félix Gómez (“Heirs”) and Jacinto Bobo (“Una Vez Mas”).

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