Owen Gleiberman Chief Film CriticIf Brad Pitt were a geek, and a gravely serious one — not a more serious actor but a more doleful and pensive presence — he’d be something like Owen Teague.
At 23, Teague has been acting since his teens, mostly on television and in occasional movies like “It,” and he resembles Pitt — the swept-back hair and bee-stung scowl, the sullen thick-featured handsomeness set off by a pair of earnest eyebrows.
Okay, he’s not as gorgeous (who is?). But even when he’s doing nothing, Teague holds the screen with what feels like a youthful version of the Pitt magnetism. (Pitt was close to 30 when he hit it big in “Thelma & Louise.”) He’s a soulful and intriguing actor who, I predict, is going to go far.
In “Montana Story,” Teague plays Cal, the troubled son of a man who is laying, at death’s door, in a coma. Much of the film unfolds at the family ranch, which is nestled on 200 scrubby acres with spectacular snow-sprinkled mountains in the distance (when people griped about Jane Campion swapping in New Zealand for Montana in “The Power of the Dog,” this is the Big Sky Country they were envisioning and missing).
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