Mindy Kaling Michael R. Jackson is, in a word, dazzling. His Broadway musical, “A Strange Loop,” is a breakthrough masterpiece whose plot I won’t describe here because it’s so inventive that my summary wouldn’t do it justice.
But what I can say is that it’s a musical about a writer … well, trying to write. The star of “A Strange Loop” is Usher, a “young overweight-to-obese homosexual and/ or gay and/or queer, cisgender male writer,” as he says in his opening song, working to find his way in the world, deciphering the many destructive (and often extremely funny) voices in his head.
Watching Michael’s Pulitzer- and Tony Award-winning musical, I felt like someone had shone a light on the creative process of writing in a way it had never been examined before.
For years, many neurotic writers have been able to see themselves in the protagonists of Woody Allen movies or Charlie Kaufman’s “Adaptation” or, hell, even “The Shining.” I never completely got it.
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