Ben Croll Responding to an online distribution landscape driven primarily by the patterns of the video game industry, organizers of the leading international VR festivals have started on a plan to carve out a niche all for themselves – and for the artistically minded project their festivals champion.“The creative or artistic content in VR do not have an identifiable place to be hosted [online],” Venice Film Festival VR curator Michel Reilhac, an expert in interactive and immersive media, tells Variety. “We think there’s a specific audience for these kinds of pieces, but [in the current online marketplaces] this content is drowned out in a sea of games.
Read more on variety.com
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