lawyer confirmed the news to AFP. Belmondo – nicknamed Bébel by French audiences – became one of the country’s biggest box-office stars in the 60s and 70s, his battered-looking face a contrast to the chiselled features of his rival and sometime-collaborator Alain Delon.
Like Delon, Belmondo was a key figure of the outstanding generation of European film-making of the period, with the series of films he made with Godard – which included A Woman Is a Woman and Pierrot le Fou – making an indelible mark.
Born in 1933 in the well-to-do Paris suburb of Neuilly-sur-Seine, son of “pied-noir” sculptor Paul Belmondo, Belmondo attended a string of elite private schools but did poorly.
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