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Is ‘The Holdovers’ Really ‘a ’70s Movie’? Or Is It the New ‘Green Book’?

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variety.com

Owen Gleiberman Chief Film Critic In the most shockingly funny moment of Alexander Payne’s “Sideways,” Miles Raymond, the desperate English teacher and wine aficionado (that is, alcoholic with good taste) played by Paul Giamatti, has just learned that his book was turned down by the publisher he had his hopes pinned on.

It’s more than a rejection; it’s the death of his dream. Miles is in the middle a chi-chi Napa Valley wine tasting, and suddenly he’s in dire need of a drink.

He asks the bartender for a glass of red, but all the man will pour him is a “taste.” Miles offers to pay for a full glass, but no go: That would be breaking the rules.

It’s like the side-order-of-toast scene in “Five Easy Pieces,” only what happens here is three times as explosive. Miles grabs the bottle on the bar and pours himself a drink, and he and the bartender wind up wrestling over it.

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